Michael Finnissy: Beat Generation Ballads
Philip Thomas (piano)
Both have titles provoking awareness that there’s more to music than crochets and quavers...First Political Agenda is a quasi-sonata whose first movement, “Wrong place. Wrong time”, is an explosion...
Michael Finnissy: Beat Generation Ballads
Philip Thomas (piano)
Purchase product
Both have titles provoking awareness that there’s more to music than crochets and quavers...First Political Agenda is a quasi-sonata whose first movement, “Wrong place. Wrong time”, is an explosion...
About
Released to celebrate composer Michael Finnissy's seventieth year, Beat Generation Ballads presents the premiere recordings of two of Finnissy's recent major piano works - First Political Agenda (1989-2004) and Beat Generation Ballads (2014) - both performed by internationally acclaimed pianist, Phillip Thomas.
"Listeners who have been following closely the music and development of Michael Finnissy over the past half-century, or who are familiar with his wide-ranging and prolific output, will be accustomed to being wrong-footed when hearing a new work. Finnissy is a master of counteracting supposed stylistic traits, continually enlarging his gamut of references, forms and notational practices. The two works presented here will likely prove no exception. Yet they also serve as ideal introductions to the composer's vision, methods and language. Typically evocative (and provocative) titles combine with a diverse set of musical references, from Bach to jazz, Irish republican song to Webern. Though it is Beethoven that looms most large..."
Contents and tracklist
- Philip Thomas (piano)
- Recorded: 10 September 2015
- Recording Venue: St. Paul's Hall, University of Huddersfield, United Kingdom
- Philip Thomas (piano)
- Recorded: 10 September 2015
- Recording Venue: St. Paul's Hall, University of Huddersfield, United Kingdom
Awards and reviews
12th June 2016
Both have titles provoking awareness that there’s more to music than crochets and quavers...First Political Agenda is a quasi-sonata whose first movement, “Wrong place. Wrong time”, is an explosion of modernismus almost parodic in its black disjunctiveness.
9th June 2016
It’s music that can be overwhelmingly complex and forbidding, tenderly sentimental, or frankly autobiographical. And it is strewn with allusions and references to a range of other periods and styles. Those characteristics and qualities are on display in the two large-scale works on Philip Thomas’s thoughtful and superbly played disc.