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Special offer. Ysaÿe: Neiges d’antan

Svetlin Roussev (violin) & Amaury Coeytaux (violin)

Orchestre Philharmonique Royal de Liege, Jean-Jacques Kantorow

Ysaÿe: Neiges d’antan
Amaury Coeytaux has the slightly sweeter, more focused sound of the two [soloists], but they’re both well-suited to Ysaÿe’s quiet corners and soaring climaxes, and Svetlin Roussev’s broad, arch...

Special offer. Ysaÿe: Neiges d’antan

Svetlin Roussev (violin) & Amaury Coeytaux (violin)

Orchestre Philharmonique Royal de Liege, Jean-Jacques Kantorow

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CD

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88.2 kHz, 24 bit, FLAC/ALAC/WAV

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

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This release includes a digital booklet

Stream now Hi-RES 88.2 kHz, 24 bit
Amaury Coeytaux has the slightly sweeter, more focused sound of the two [soloists], but they’re both well-suited to Ysaÿe’s quiet corners and soaring climaxes, and Svetlin Roussev’s broad, arch...

About

Over time, the memory of Eugène Ysaÿe (Liège, 1858 - Brussels, 1931) the brilliant virtuoso gradually supplanted that of Ysaÿe the composer in the public consciousness. It should be remembered that Eugène Ysaÿe created in his poems for string instruments a totally new and original genre, distinguishing himself by a competence in writing and a harmonic richness that were far removed from the purely virtuosic merits of his early compositions. These poems are therefore thoroughly deserving of rediscovery. In a way, they form a sort of link between the Germanic and French aesthetic traditions, a reconciliation between German romanticism and French impressionism.

For the second time (after MEW1472), the French conductor Jean-Jacques Kantorow, Ysaÿe’s great specialist, leads the Liège Royal Philharmonic and soloists Svetlin Roussev and Amaury Coeytaux through poems for violin and orchestra.

Contents and tracklist

Awards and reviews

September 2016

Amaury Coeytaux has the slightly sweeter, more focused sound of the two [soloists], but they’re both well-suited to Ysaÿe’s quiet corners and soaring climaxes, and Svetlin Roussev’s broad, arch tone is marvellously expressive…[Kantorow’s Liège orchestra are] stylish and responsive, and the worthwhile collection of some (still) fairly rare repertoire
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