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Tonu Korvits: Mirror

Anja Lechner (cello), Kadri Voorand (voice), Tõnu Kõrvits (kannel)

Tallinn Chamber Orchestra, Estonian Philharmonic Chamber Choir, Tõnu Kaljuste

Tonu Korvits: Mirror
From the Estonian Philharmonic Chamber Choir and others, we now recognise the sound as a professional one: blend that hardly distinguishes between male and female voices; an ease with extremes...

Tonu Korvits: Mirror

Anja Lechner (cello), Kadri Voorand (voice), Tõnu Kõrvits (kannel)

Tallinn Chamber Orchestra, Estonian Philharmonic Chamber Choir, Tõnu Kaljuste

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From the Estonian Philharmonic Chamber Choir and others, we now recognise the sound as a professional one: blend that hardly distinguishes between male and female voices; an ease with extremes...

About

‘Mirror’ is the first ECM New Series album from Estonian composer Tõnu Kõrvitz (born 1969), who emphasizes his links to his homeland’s music at several levels.

The album begins with a fantasy on a song by Veljo Tormis. Like the older composer, Kõrvitz has been influenced by folk song and archaic musical tradition, which find their echo in the refined and texturally-rich spectrum of his own, labyrinthine pieces. His music is well served here by the Tallin Chamber Orchestra and the Estonian Philharmonic Chamber Choir under Tõnu Kaljuste’s assured direction and by soloist Anja Lechner.

Lechner’s cello is foregrounded in ‘Peegeldused Tasaset Maast’ (2013), ‘Laul’ (2012, revised 2013) and the album’s largest work ‘Seitsme Linnu Seitse Und’ (2009, revised 2012), a collaboration with the poet Maarja Kangro, which is both choral suite and cello concerto. In these “seven dreams of seven birds” the choir sings in Estonian and English and the cello conjures both birdsong and swooping flight. ‘Tasase Maa’ (Song of the Plainland), a fresh arrangement of a Tormis melody has Kadri Voorand as vocal soloist, supported by strings and by Tõnu Kõrvitz on kannel, the Estonian psaltery.

Contents and tracklist

Labyrinth I
Track length3:11
Labyrinth II
Track length1:41
Labyrinth III
Track length2:15
Labyrinth IV
Track length2:31
Labyrinth V
Track length2:42
Labyrinth VI
Track length2:31
Labyrinth VII
Track length4:35
Dream I
Track length5:43
Dream II
Track length2:42
Dream III
Track length3:00
Dream IV
Track length2:31
Dream V
Track length1:38
Dream VI
Track length3:52
Dream VII
Track length4:12

Awards and reviews

July 2016

From the Estonian Philharmonic Chamber Choir and others, we now recognise the sound as a professional one: blend that hardly distinguishes between male and female voices; an ease with extremes of volume; and a rich, sonorous delivery that’s a choral cousin of Leopold Stokowski’s ‘free-bowing’ principle

7th April 2016

Kaljuste and his Tallinn players are well versed in evoking picturesque, moody expanses, and in Labyrinths the pale strings circle and shift in and out of focus, all very icy and, at times, quite pretty.
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