Mendelssohn: Elijah, Op. 70
Marlis Petersen (soprano), Lioba Braun (mezzo ‐ soprano), Maximilian Schmitt (tenor) & Thomas Oliemans (baritone)
RIAS Kammerchor & Akademie für Alte Musik Berlin, Hans‐Christoph Rademann
Perhaps Rademann is less concerned than Herreweghe to pull out the many felicities of Mendelssohn’s original orchestration – trombones play a largely supporting role in the big choruses – but...
Mendelssohn: Elijah, Op. 70
Marlis Petersen (soprano), Lioba Braun (mezzo ‐ soprano), Maximilian Schmitt (tenor) & Thomas Oliemans (baritone)
RIAS Kammerchor & Akademie für Alte Musik Berlin, Hans‐Christoph Rademann
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Perhaps Rademann is less concerned than Herreweghe to pull out the many felicities of Mendelssohn’s original orchestration – trombones play a largely supporting role in the big choruses – but...
About
“Never was there a more complete triumph – never a more thorough and speedy recognition of a great work of art.” This was the response of the critic in the London Times to the wildly successful premiere of Felix Mendelssohn’s Elias in 1846. Hans‐Christoph Rademann began his tenure as Principal Conductor of the RIAS Chamber Choir with this groundbreaking oratorio. After eight productive and successful years, his final concert in July 2015 also featured the work.
It was a “Farewell Performance with Furor” (Der Tagesspiegel), not least because of the impressive performers involved: the RIAS Chamber Choir, the Akademie für Alte Musik Berlin, and the soloists Marlis Petersen, Lioba Braun, Maximilian Schmitt, and Thomas Oliemans. Hans‐Christoph Rademann is one of the world’s most sought‐after choral conductors, a specialist in the sound of choral ensembles. From 2007 to 2015, he expanded the reputation and repertoire of the RIAS Chamber Choir, helping the group to achieve a remarkable spiritual and emotional identification with the subject matter of the works it performed. Rademann has said, “I want us to not only be involved with perfect singing, but to embody a certain attitude and convey a message that will touch listeners all over the world.”
Contents and tracklist
- Thomas Oliemans (baritone), Marlis Petersen (soprano), Lioba Braun (mezzo-soprano), Maximilian Schmitt (tenor)
- Akademie für Alte Musik Berlin, RIAS Kammerchor
- Hans-Christoph Rademann, Hans-Christoph Schmitt
Awards and reviews
June 2016
Perhaps Rademann is less concerned than Herreweghe to pull out the many felicities of Mendelssohn’s original orchestration – trombones play a largely supporting role in the big choruses – but he is more prepared to cultivate legato phrases, which impart to the concerted vocal numbers a flow as smooth as the brook of Kidron itself
3rd June 2016
A compelling account of Elias that tells the story vividly and confirms the true stature of the work.