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Allegri Quartet play String Quartets by Alec Roth

Allegri Quartet

Allegri Quartet play String Quartets by Alec Roth
Roth’s largely happy, inclusive music is characterised by jaunty ostinatos, playful syncopations, memorable melody and friendly tonal harmony, as well as slow movements that are reflective,...

Allegri Quartet play String Quartets by Alec Roth

Allegri Quartet

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
Roth’s largely happy, inclusive music is characterised by jaunty ostinatos, playful syncopations, memorable melody and friendly tonal harmony, as well as slow movements that are reflective,...

About

"The three quartets on this recording were composed for, and premiered by the Allegri String Quartet between 2010 and 2013. I first heard the group ‘live’ on the 6th of May 2009, in an all-Haydn concert given in the lovely surroundings of St Brandon’s Church, Brancepeth, the musical experience enhanced by the view through the clear glass windows of the trees dancing along in the late evening sunlight. The programme included Haydn’s quartet opus 71 No.2. In its first movement Allegro the instruments enter in quick succession around the circle, initiated by the cello’s bold two-note motif. This is such a striking idea. What would happen if the cello were to send round a whole barrage of such motifs. Here, thanks to Papa Haydn, I was gifted the idea for what became the fourth movement of my Quartet No.2." Alec Roth

Contents and tracklist

I. Waiting
Track length3:08
II. Dancing
Track length3:19
III. Singing
Track length4:41
IV. Dancing
Track length4:55
V. Waiting
Track length3:02
I. Prelude
Track length5:08
II. Serenade
Track length6:45
III. Dance
Track length6:19
IV. Meditation
Track length4:50
I. Fleeting
Track length5:37
II. Bright
Track length4:52
III. Dark
Track length5:02
IV. Ambling
Track length6:07

Awards and reviews

19th June 2016

Roth’s largely happy, inclusive music is characterised by jaunty ostinatos, playful syncopations, memorable melody and friendly tonal harmony, as well as slow movements that are reflective, not angst-driven. No wonder he cites Haydn’s influence in these three recent works.
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