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Special offer. How Friendly the Day Shines

Romantic Arias

Maximilian Schmitt (tenor)

WDR Symphony Orchestra Cologne, Patrick Lange

How Friendly the Day Shines
(Schmitt) proves that his exceptionally affable, free flowing tenor can be similarly effective in early 19th century German Romantic opera.

Special offer. How Friendly the Day Shines

Romantic Arias

Maximilian Schmitt (tenor)

WDR Symphony Orchestra Cologne, Patrick Lange

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(Schmitt) proves that his exceptionally affable, free flowing tenor can be similarly effective in early 19th century German Romantic opera.

About

Maximilian Schmitt discovered his love for music already during his youthful years with the Regensburg Boys’ Choir. It was still during his period in Munich that Maximilian Schmitt made his debut at the Salzburg Provincial Theatre as Tamino in The Magic Flute before accepting a four-year engagement with the Mannheim National Theatre.

In the meantime, Maximilian Schmitt sings in all the major opera houses.

The present recording is already his third CD for OehmsClassics.

Following Heine Lieder and Die Schöne Müllerin, Maximilian Schmitt proves with this recording that he hardly needs fear any competition in the area of romantic arias by composers ranging from Flotow and Weber to Wagner. He is sensitively supported by the WDR Symphony Orchestra Cologne under the direction of Patrick Lange.

Contents and tracklist

Ach so fromm
Track length2:52
Wie freundlich strahlt der Tag
Track length7:47
Lebe wohl, mein flandrisch Mädchen
Track length4:23
Wie ein schöner Frühlingsmorgen
Track length5:29
Horch, die Lerche singt im Hain
Track length4:30
Was quälst du mich, o Mißgeschick!
Track length5:42
Mit Gewitter und Sturm
Track length5:43
Den Bronnen, den uns Wolfram nannte
Track length1:55
Nein, länger trag' ich nicht die Qualen
Track length6:48
Unter blühenden Mandelbäumen
Track length3:57
Allmächt'ger Vater
Track length9:40

Awards and reviews

February 2017

(Schmitt) proves that his exceptionally affable, free flowing tenor can be similarly effective in early 19th century German Romantic opera.
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