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Mozart: String Quartets K387 & K458

dedicated to Joseph Haydn

Hagen Quartet

Mozart: String Quartets K387 & K458

Awards:

these players bring an astonishing variety of vibrato, nuance and colour. These are, indeed, distinctly Romanic readings that could have more doctrinaire authenticists tut-tutting.

Mozart: String Quartets K387 & K458

dedicated to Joseph Haydn

Hagen Quartet

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This release includes a digital booklet

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Awards:

these players bring an astonishing variety of vibrato, nuance and colour. These are, indeed, distinctly Romanic readings that could have more doctrinaire authenticists tut-tutting.

About

Vienna, 1782. Mozart had not composed a string quartet for almost ten years, a remarkably long period within such a short lifespan. The two string quartets K.387 and K.458 belong to the group of six so-called “Haydn Quartets”. Mozart dedicated the work to his fatherly friend Joseph Haydn, who was in many cases also his great model.To dedicate such works to Haydn in his prime genre, testifies on the one hand to Mozart’s appreciation of his older colleague, and on the other to a high degree of self-confidence. Neither did he refrain from mentioning that these compositions were the “fruit of long and laborious task”.

After an extended tour performing Mozart quartets, the Hagen Quartet went into the recording studio for this new rendition of the two works for myrios classics. This is also the Hagen’s first recording using the ‘Paganini Quartet’ – the only complete set of Stradivarius instruments known to exist today. All four were once owned by Niccolò Paganini (1782-1840).

Contents and tracklist

I. Allegro vivace assai
Track length8:32
II. Menuetto. Allegro
Track length7:58
III. Andante cantabile
Track length7:58
IV. Molto allegro
Track length6:02
I. Allegro vivace assai
Track length9:20
II. Menuetto. Moderato
Track length4:26
III. Adagio
Track length7:49
IV. Allegro assai
Track length6:57

Awards and reviews

  • BBC Music Magazine
    April 2016
    Chamber Choice

April 2016

these players bring an astonishing variety of vibrato, nuance and colour. These are, indeed, distinctly Romanic readings that could have more doctrinaire authenticists tut-tutting.

CD Review 16th January 2016

I think it’s wonderful quartet playing; very warm and romantic in approach to Mozart … it’s very stylish … it’s very natural and relaxed, there’s a lot of warmth and affection in it I think, they really care about this music.

March 2016

compelling Hagen accounts…of…elevated quality. This release is well worth adding to any chamber music collection.
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