Special offer. Verdi: The Shakespeare Operas
Simon Keenlyside (Macbeth), Liudmyla Monastyrska (Lady Macbeth), Raymond Aceto (Banquo), Dmitri Pittas (Macduff), Nigel Cliffe (Servant), Steven Ebel (Malcolm), Elisabeth Meister (Lady-in-Waiting) & Lukas Jakobski (Doctor), José Cura (Otello), Krassimira Stoyanova (Desdemona), Lado Ataneli (Iago),...
[Cura] sings and acts here with an inwardness and intensity which make a profound impression. So does Krassimira Stoyanova as Desdemona, not in the first flush of youth, but heartfelt and direct;...
Special offer. Verdi: The Shakespeare Operas
Simon Keenlyside (Macbeth), Liudmyla Monastyrska (Lady Macbeth), Raymond Aceto (Banquo), Dmitri Pittas (Macduff), Nigel Cliffe (Servant), Steven Ebel (Malcolm), Elisabeth Meister (Lady-in-Waiting) & Lukas Jakobski (Doctor), José Cura (Otello), Krassimira Stoyanova (Desdemona), Lado Ataneli (Iago),...
Purchase product
[Cura] sings and acts here with an inwardness and intensity which make a profound impression. So does Krassimira Stoyanova as Desdemona, not in the first flush of youth, but heartfelt and direct;...
About
Shakespeare provided lifelong inspiration for the towering operatic genius that was Giuseppe Verdi, but just three of the Bard’s plays ever emerged fully-fledged from the composer’s pen. This trio of landmark productions, featuring a veritable constellation of singers, conductors and directors, are united here under the banner of Verdi’s Shakepeare Operas: Macbeth, which lifted the young composer out of his hard-working ‘galley years’, propelling him to international fame and universal acclaim, and Otello and Falstaff, his final two crowning operatic achievements. Simon Keenlyside and Liudmyla Monastyrska are imposing as the Thane and his Lady in Phyllida Lloyd’s sumptuous production of The Scottish Play for The Royal Opera, conducted by Sir Antonio Pappano, while José Cura interprets the Moor in a profound, intense staging by Willy Decker at Barcelona’s Liceu. By the end of his dramatic opera career, Verdi claimed he had ‘earned at last the right to laugh a little’, and Richard Jones’s Glyndebourne Festival production of Falstaff radiates humour, tinged with bitterness and wisdom and brought to life by an international ensemble cast with Christopher Purves in the title role under the inspiring baton of Vladimir Jurowski.
Subtitles: ENGLISH, FRANÇAIS, DEUTSCH, ESPAÑOL, ITALIANO (ALL TITLES), CATALA (OTELLO), JAPANESE (MACBETH)
Running time: 170 MINUTES, 23 MINUTES (BONUS); 151 MINUTES (OTELLO); 136 MINUTES (FALSTAFF)
Sound format: 2.0LPCM + 5.1(5.0) DTS
Artists
Simon Keenlyside (Macbeth), Liudmyla Monastyrska (Lady Macbeth), Raymond Aceto (Banquo), Dmitri Pittas (Macduff), Nigel Cliffe (Servant), Steven Ebel (Malcolm), Elisabeth Meister (Lady-in-Waiting) & Lukas Jakobski (Doctor), José Cura (Otello), Krassimira Stoyanova (Desdemona), Lado Ataneli (Iago), Vittorio Grigolo (Cassio), Ketevan Kemoklidze (Emilia), Vicenç Esteve Madrid (Rodrigo), Giorgio Giuseppini (Lodovico), Francisco Santiago (Montano), Roberto Accurso (Un Araldo), Christopher Purves (Falstaff), Tassis Christoyannis (Ford), Marie-Nicole Lemieux (Mistress Quickly), Dina Kuznetsova (Alice Ford), Jennifer Holloway (Meg Page), Adriana Kucerova (Nanetta), Bulent Bezduz (Fenton), Peter Hall (Dr Caius), Alasdair Elliott (Bardolpho), Paolo Battaglia (Pistol)
Royal Opera Chorus & Orchestra of the Royal Opera House, Symphony Orchestra and Chorus of the Gran Teatre del Liceu, London Philharmonic Orchestra & The Glyndebourne Chorus, Antonio Pappano (conductor) & Phyllida Lloyd (stage director), Antoni Ros-Marbà (musical director) & Willy Decker (stage director), Vladimir Jurowski (conductor) & Richard Jones (director)
Contents and tracklist
- Recorded live at The Royal Opera House, 13 June, 2011.
- Simon Keenlyside (Macbeth), Liudmyla Monastyrska (Lady Macbeth), Raymond Aceto (Banquo), Dmitri Pittas (Macduff), Nigel Cliffe (Servant), Steven Ebel (Malcolm), Elisabeth Meister (Lady-in-Waiting) & Lukas Jakobski (Doctor)
- Royal Opera House Covent Garden
- Antonio Pappano (conductor) & Phyllida Lloyd (stage director)
- Recorded live at the Gran teatre del Liceu, Barcelona on 21st & 24th February 2006.
- José Cura (Otello), Krassimira Stoyanova (Desdemona), Lado Ataneli (Iago), Vittorio Grigolo (Cassio), Ketevan Kemoklidze (Emilia), Vicenç Esteve Madrid (Rodrigo), Giorgio Giuseppini (Lodovico), Francisco Santiago (Montano), Roberto Accurso (Un Araldo)
- Symphony Orchestra and Chorus of the Gran Teatre del Liceu
- Antoni Ros-Marbà (musical director) & Willy Decker (stage director)
- Recorded live at Glyndebourne Opera House, Lewes, East Sussex, June 2009.
- Christopher Purves (Falstaff), Tassis Christoyannis (Ford), Marie-Nicole Lemieux (Mistress Quickly), Dina Kuznetsova (Alice Ford), Jennifer Holloway (Meg Page), Adriana Kucerova (Nanetta), Bulent Bezduz (Fenton), Peter Hall (Dr Caius), Alasdair Elliott (Bardolpho), Paolo Battaglia (Pistol)
- London Philharmonic Orchestra & The Glyndebourne Chorus
- Vladimir Jurowski (conductor) & Richard Jones (director)
Spotlight on this release
-
An error occurred.
Try watching this video on www.youtube.com, or enable JavaScript if it is disabled in your browser.
-
An error occurred.
Try watching this video on www.youtube.com, or enable JavaScript if it is disabled in your browser.
-
An error occurred.
Try watching this video on www.youtube.com, or enable JavaScript if it is disabled in your browser.
-
An error occurred.
Try watching this video on www.youtube.com, or enable JavaScript if it is disabled in your browser.
Awards and reviews
April 2007
[Cura] sings and acts here with an inwardness and intensity which make a profound impression. So does Krassimira Stoyanova as Desdemona, not in the first flush of youth, but heartfelt and direct; while Lado Ataneli's Jago is a brilliantly understated study in jovial malevolence. With strong conducting from Antoni Ros-Marbà, the whole cast collaborate to give us the truth of this desperately upsetting work, as no other DVD and few live performances I've seen of it ever have.
May 2010
[Purves's Falstaff is] a masterpiece of comic timing. But this performance is also beautifully sung, capturing the Italianate ardour within the bosom of Windsor's beached whale...Francois Roussillon's direction, giving a due flavour of the theatrical ambience, results in a model of filmed opera.
May 2012
Lloyd's Covent Garden staging of [Macbeth] has a good deal going for it; there's plenty of atmosphere in Anthony Ward's aptly dark-toned sets...Keenlyside sings the title role with imagination and insight, even if his lyric approach doesn't command the full cut and thrust of a true Verdi baritone...Pappano is an authoritative Verdian, punching the score out into the theatre.
July 2012
you know that Keenlyside is an accomplished lieder-singer by the dramatic precision in this phrase readings throughout (his Act 4 aria has such emotional transparency he almost breaks your heart)...Monastyrska unleashes such pent-up venom with her sharp-edged vocalism that the total package is almost too psychologically repulsive...the production is wonderfully atmospheric...Pappano is the most important artistic catalyst.
May 2010
all aspects of staging [...] work to happy effect. The updating [...] is unexpectedly refreshing...The cast is uniformly excellent, with Christopher Purves's Falstaff much funnier than most...Jurowski conducts so as to bring out all the score's energy and wit without forcing the pace or underlining the jokes.
Phyllida Lloyd's 2011 Covent Garden production works especially well on screen (it was broadcast into cinemas during the run) and the Macbeths are suitably chalk-and-cheese: Simon Keenlyside's dramatic subtlety is ample compensation for a slight lack of vocal heft, whilst the more stolid Liudmyla Monastyrska's visceral dramatic soprano takes no prisoners. The choruses - particularly the witches - come off superbly, and the entire performance crackles with demonic energy under Antonio Pappano.
Opera News
Verdi’s wise, passionate score was served with precision, gusto and a keen ear for drama by maestro Antoni Ros-Marbà and the solid, malleable Liceu orchestra.
