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Special offer. Haydn: Opera Gala

Simone Kermes (soprano), Chen Reiss (soprano), Rainer Trost (tenor), Thomas Michael Allen (tenor), Wolfgang Holzmair (baritone), Paul Armin Edelmann (baritone), Jürgen Sacher (baritone), Ivan Paley Bass (bass)

WDR Rundfunkorchester Köln, Markus Poschner & Manuel Hernandez-Silva

Haydn: Opera Gala
I suspect many will be drawn to the set by the participation of Simone Kermes. They are unlikely to be disappointed; the role of Vespina allows full rein to Kermes’s formidable dramatic talent,...

Special offer. Haydn: Opera Gala

Simone Kermes (soprano), Chen Reiss (soprano), Rainer Trost (tenor), Thomas Michael Allen (tenor), Wolfgang Holzmair (baritone), Paul Armin Edelmann (baritone), Jürgen Sacher (baritone), Ivan Paley Bass (bass)

WDR Rundfunkorchester Köln, Markus Poschner & Manuel Hernandez-Silva

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2 CDs

Original price $20.00 Reduced price $16.00

2 available: usually despatched in 3 - 4 working days

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

$25.75

320 kbps, MP3

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No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit
I suspect many will be drawn to the set by the participation of Simone Kermes. They are unlikely to be disappointed; the role of Vespina allows full rein to Kermes’s formidable dramatic talent,...

About

Although Joseph Haydn is still regarded principally as a master of instrumental music, he was also one of the forward-looking opera composers of his day, devoting a significant portion of his working life to the genre. As the opera director for Prince Esterházy, he oversaw more than a thousand opera productions at the Esterházy court, which included popular stage works of the time, as well as his own. These two operas are unusual and ahead of their time in that it is women who take centre stage. These female protagonists are people of real flesh and blood, strong, pragmatic, and clearly representative of the spirit of the Enlightenment.

Contents and tracklist

Act I: Overture
Track length8:13
Act I Scene 1: Introduction: Bella sera (Filippo, Vespina, Nencio, Nanni, Sandrina)
Track length9:52
Act I Scene 2: Aria: Che imbroglio e questo (Sandrina)
Track length4:18
Act I Scene 3: Aria: Non v'e rimedio (Nanni)
Track length3:38
Act I Scene 4: Aria: Come piglia si bene (Vespina)
Track length6:52
Act I Scene 5: Duet: Son disperato (Nanni, Vespina)
Track length4:38
Act I Scene 6: Finale: O piglia questa (Vespina, Sandrina, Filippo, Nencio, Nanni)
Track length4:08
Act II Scene 4: Aria: Tu sporsati alla Sandrina (Filippo)
Track length6:44
Act II Scene 5: Recitative: Trinche vaine allegramente (Vespina)
Track length1:40
Act II Scene 6: Aria: Oh che gusto! (Nencio)
Track length4:04
Act II Scene 8: Aria: E la pompa (Sandrina)
Track length5:23
Act II Scene 9: Finale: Nel mille settecento (Vespina, Filippo, Nanni, Nencio, Sandrina)
Track length5:21
Act I: Sinfonia
Track length5:43
Act I: Introduzione: Che burrasca! che tempesta!
Track length5:59
Act I: Aria: So che una bestia sei (Masino)
Track length2:33
Act I: Non sparate, mi disdico
Track length4:07
Act I: Aria: Con un tenero sospiro(Rosina)
Track length2:42
Act I: Recitative and Aria: Mira il campo all’intorno - A trionfar (Conte)
Track length6:17
Act I: Finale I: Bel godere la campagna
Track length12:17
Act II: Duet: Massima filosofica (Masino, Villotto)
Track length2:22
Act II: Aria: Per pieta vezzosi rai (Ernesto)
Track length3:45
Act II: Recitative and Aria: Misera chi m’ajuta - Dove fuggo (Rosina)
Track length5:27
Act II: Gia la morte in mante nero
Track length4:14
Act II: Recitative and Aria: Ah, non minganno - Or che torna il vago aprile (Conte)
Track length4:36
Act II: Finale II: Animo risoluto
Track length6:42
Act II: Duet, Finale II: Ah, dove la mia Rosina? (Rosina, Conte)
Track length10:22

Awards and reviews

June 2016

I suspect many will be drawn to the set by the participation of Simone Kermes. They are unlikely to be disappointed; the role of Vespina allows full rein to Kermes’s formidable dramatic talent, including as it does two disguises and much other ‘business’.
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