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Special offer. Mendelssohn in Birmingham, Vol. 4

Jennifer Pike (violin), Rhian Lois (soprano I), Keri Fuge (soprano II)

City of Birmingham Symphony Orchestra, CBSO Youth Chorus, Edward Gardner

Pike does nothing here to inflame those of an orthodox persuasion and, with her sweet, singing tone and graceful phrasing, walks in the footsteps of many illustrious predecessors…the orchestra,...

Special offer. Mendelssohn in Birmingham, Vol. 4

Jennifer Pike (violin), Rhian Lois (soprano I), Keri Fuge (soprano II)

City of Birmingham Symphony Orchestra, CBSO Youth Chorus, Edward Gardner

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Pike does nothing here to inflame those of an orthodox persuasion and, with her sweet, singing tone and graceful phrasing, walks in the footsteps of many illustrious predecessors…the orchestra,...

About

For this new recording of orchestral works by Mendelssohn, the CBSO and its principal guest conductor, Edward Gardner, join the violinist Jennifer Pike, who made a remarkable debut at Carnegie Hall this year. She here performs the Violin Concerto in E minor, the piece that launched her career thirteen years ago when she became the youngest-ever winner of the BBC Young Musician of the Year Award. Her first album on Chandos (CHAN10667: sonatas by Frank, Debussy, and Ravel) was praised by Classic FM as ‘one of the most outstanding début albums of recent years’. The music of Mendelssohn is probably more highly valued and widely loved today than it has been at any period since his lifetime. Yet one still sometimes hears the allegation that he failed quite to fulfil the promise of those miraculous youthful masterpieces, the Octet, completed at 16, and the Concert Overture A Midsummer Night’s Dream, of a year later. This recording contains two of his later works, which most roundly confute that accusation: the Incidental Music for A Midsummer Night’s Dream (1843), in which he managed to recapture and amplify the unique magic of his early years, and the Violin Concerto in E minor (1844), which has retained its standing among the three or four greatest of its genre ever since.

Contents and tracklist

I. Allegro molto appassionato
Track length12:55
II. Andante
Track length9:01
III. Allegro molto vivace
Track length6:11
Overture
Track length11:29
I. Scherzo
Track length4:34
III. Song with Chorus
Track length3:59
V. Intermezzo
Track length3:24
VII. Notturno
Track length5:37
IX. Wedding March
Track length4:33
XI. A Dance of Clowns
Track length1:38
Finale
Track length4:27

Awards and reviews

March 2016

Pike does nothing here to inflame those of an orthodox persuasion and, with her sweet, singing tone and graceful phrasing, walks in the footsteps of many illustrious predecessors…the orchestra, impeccable in the concerto, continue to play beautifully in the music for A Midsummer Night's Dream

February 2016

the unflustered cantabile of the work's opening - relaxed, yet in medias res - gives notice that Pike will not court the nervous, even aggressive intensity of [Augustin Hadelich]…the level of fine detail throughout is a credit to the CBSO and Gardner, to the recording team and of course to Mendelssohn, for making every note a telling one.

24th January 2016

Pike allies the luminous beauty of her tone to her innate musicality and mercurial technique to produce an exceptionally lyrical interpretation of the evergreen Violin Concerto in E minor.
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