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Shrouded Mirrors

Diego Castro Magaš (guitar)

Shrouded Mirrors
[This release lends] a softness and amenability by the sheer guitar sonority, of the old, intimidating “New Complexity” movement…Brian Ferneyhough’s seven-part Kurze Schatten II seems to entail...

Shrouded Mirrors

Diego Castro Magaš (guitar)

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This release includes a digital booklet

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[This release lends] a softness and amenability by the sheer guitar sonority, of the old, intimidating “New Complexity” movement…Brian Ferneyhough’s seven-part Kurze Schatten II seems to entail...

About

In Shrouded Mirrors, Chilean virtuoso Diego Castro Magaš champions recent British guitar music. The collection explores extremely demanding works with radical aesthetics and highly suggestive content. In doing so, Magaš explores the evocative quality of the instrument through extremes of both intimacy and violence. As a result of close collaboration with the composers involved, the recording includes innovative and authoritative versions of pieces by Brian Ferneyhough and James Dillon, as well as world premiere recordings of music by Matthew Sergeant, Bryn Harrison, Michael Finnissy and Wieland Hoban.

Diego Castro Magaš is a Chilean virtuoso guitarist, currently based in Huddersfield, UK. Since 2006, he has been particularly interested in guitar music of radical aesthetics. Castro Magaš has been recognised in numerous international guitar competitions and has appeared as soloist in more than eighteen countries throughout Europe, the Americas and Oceania, with a particular interest in new music. Diego has collaborated with composers including Aaron Cassidy, James Dillon, Brian Ferneyhough, Michael Finnissy, Bryn Harrison, Wieland Hoban, Clemens Gadenstätter and Matthew Sergeant, amongst others.

Contents and tracklist

I.
Track length4:06
IIa.
Track length3:01
IIb.
Track length3:03
III.
Track length6:09
I.
Track length2:18
II.
Track length1:16
III.
Track length2:10
IV.
Track length2:53
V.
Track length2:05
VI.
Track length3:04
VII.
Track length3:48

Awards and reviews

January 2016

[This release lends] a softness and amenability by the sheer guitar sonority, of the old, intimidating “New Complexity” movement…Brian Ferneyhough’s seven-part Kurze Schatten II seems to entail unreconstructed high modernism; Dillon’s Shrouded Mirrors essays a smoother, more euphonious version; and Michael Finnissy’s Kurdish-influenced Nasiye typifies his freer-ranging, acutely personal ethnological approach.
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