Help
Skip to main content

Michel Dalberto plays Claude Debussy

live in Mantova

Michel Dalberto (piano)

I love the bell like tunes the richness of the bass and the virtuosity; he is a fantastic virtuoso … he has tremendous power at his disposal…this is very big Debussy, very bright colours and...

Michel Dalberto plays Claude Debussy

live in Mantova

Michel Dalberto (piano)

Purchase product

96 kHz, 24 bit, FLAC/ALAC/WAV

$17.50

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$12.50

320 kbps, MP3

$10.00

This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit
I love the bell like tunes the richness of the bass and the virtuosity; he is a fantastic virtuoso … he has tremendous power at his disposal…this is very big Debussy, very bright colours and...

About

Disciple of Vlado Perlemuter and Jean Hubeau, Michel Dalberto has stood out as a master and ardent defender of French music in the course of a 30-year career. His signing to the Aparté label for a series of recordings devoted to Debussy, Fauré, Ravel, and Franck marks his long-awaited return to disc.

Each episode will be recorded live and accompanied by a video. This first release, recorded on a Fazioli piano at the Teatro Bibiena on 30 May 2015, within the framework of the Mantua Chamber Music Festival, honours Claude Debussy: "Two years ago, near Venice, I played pieces by Debussy on a Fazioli piano, and it seemed obvious to me that this piano provided the ideal sonority for this music made of light and shadow. The idea of recording a recital in a beautiful Italian theatre came as a logical continuation. The Bibiena (from the name of its architect, Antonio Bibiena) in Mantua was inaugurated in December 1769 – Mozart gave a concert there a month later. It is, with the San Carlo in Naples, my finest memory of any Italian theatre where I played." Michel Dalberto

Michel Dalberto first came to prominence when, between 1975 and 1978, he won the 1st Mozart Competition in Salzburg, the Clara Haskil Prize in Vevey (Switzerland) and 1st Prize at the Leeds International Piano Competition (whose previous winners include Radu Lupu, Murray Perahia and Andras Schiff). Born in Paris in 1955 he began the piano at the age of three and a half and gave his first concert at five and a half. When he was twelve, he was introduced to Vlado Perlemuter, a favourite pupil of the late Alfred Cortot, and entered his class at the Paris Conservatoire where he completed his studies during nine years. He has since performed under the baton of some of the most distinguished conductors including Sawallish, Colin Davis, Temirkanov, Masur, Gatti or Gardiner and has been guest of festivals such as Lucerne, Florence, Aix-en-Provence, Vienna, Edinburgh, Schleswig-Holstein, Newport, Miami, Seattle as well as regular visits to Japan, Korea and China. He is the only living pianist to have recorded the complete piano works by Schubert.

Contents and tracklist

I. Doctor Gradus ad Parnassum
Track length2:22
II. Jimbo's Lullaby
Track length3:16
III. Serenade for the Doll
Track length2:41
IV. The Snow Is Dancing
Track length2:54
V. The Little Shepherd
Track length2:28
VI. Golliwog's Cake-walk
Track length3:15
I. Cloches à travers les feuilles
Track length4:26
II. Et la lune descend sur le temple qui fut
Track length5:06
III. Poisson d'or
Track length4:29
Brouillards (modéré)
Track length2:59
Feuilles mortes (lent et mélancolique)
Track length3:12
La Puerta del Vino (mouvement de Habanera)
Track length3:31
"Les fées sont d'exquises danseuses" (rapide et léger)
Track length3:13
Bruyères (calme - Doucement expressif)
Track length2:56
"General Lavine"-eccentic (dans le style et le mouvement d'un cake-walk)
Track length2:52
La Terrassedes audiences du claire de lune (lent)
Track length4:26
Ondine (scherzando)
Track length3:25
Hommage à S. Picwick Esq. P.P.M.P.C. (grave)
Track length2:40
Canope (très calme et doucement triste)
Track length2:55
Les Tierces alternées (modérément animé)
Track length2:51
Feux d'artifice (modérément animé)
Track length5:11

Spotlight on this release

Awards and reviews

CD Review 9th January 2016

I love the bell like tunes the richness of the bass and the virtuosity; he is a fantastic virtuoso … he has tremendous power at his disposal…this is very big Debussy, very bright colours and very strong images; it all makes for a very interesting take on Debussy’s music.

Pianist Magazine June/July 2016

Dalberto plays magnificently … a fine atmospheric acoustic and a recorded piano sound that can hardly be bettered.
View download progress