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Marais: Suites à deux violes

A 2 Violes Esgales, Thomas Dunford (theorbo/lute)

Marais: Suites à deux violes
there's a rich mahogany mellowness to the timbre, ideally complemented by the theorbo's burnished fleshing out of the D minor Prelude, and the added rhythmic kick it imparts to the G major's...

Marais: Suites à deux violes

A 2 Violes Esgales, Thomas Dunford (theorbo/lute)

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This release includes a digital booklet

there's a rich mahogany mellowness to the timbre, ideally complemented by the theorbo's burnished fleshing out of the D minor Prelude, and the added rhythmic kick it imparts to the G major's...

About

Of all the French court composers Marin Marais is unparalleled. He illuminated the court of the most powerful king in seventeenth century Europe and has remained for three centuries as a monument, a source of elegant musical pleasure to musicians and music lovers alike.

In 1689 Marais published a premier in France: a “basso continuo” part for this first book. This is revolutionary work. Marais goes even further in his praise of the theorbo in his second book of Pièces de Viole (1701) mentioning the theorbo as being an instrument apt for performing the solo viol part.

Contents and tracklist

I. Prélude
Track length2:10
II. Allemande
Track length2:51
III. Courante
Track length1:52
IV. Sarabande
Track length2:53
V. Gigue
Track length2:31
VI. Gavotte en Rondeau
Track length2:08
VII. Menuet
Track length1:04
VIII. Gavotte
Track length0:56
IX. Fantaisie en Echo
Track length1:44
X. Chaconne
Track length6:20
I. Prélude
Track length4:00
II. Allemande
Track length3:35
III. Courante
Track length1:46
IV. Sarabande
Track length3:50
V. Gigue
Track length1:16
VI. Gavotte
Track length1:04
VII. Menuet
Track length1:08
VIII. Tombeau de Mr. Meliton
Track length9:15

Awards and reviews

February 2016

there's a rich mahogany mellowness to the timbre, ideally complemented by the theorbo's burnished fleshing out of the D minor Prelude, and the added rhythmic kick it imparts to the G major's sprightly Gigue
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