Special offer. Tavener conducts Tavener
Cappella Nova, Alan Tavener
All this can be very challenging to sing, and Cappella Nova not only manage to get the notes, but surmount them with lyrical grace and very little hint of strain. Conductor Alan Tavener (a distant...
Special offer. Tavener conducts Tavener
Cappella Nova, Alan Tavener
Purchase product
All this can be very challenging to sing, and Cappella Nova not only manage to get the notes, but surmount them with lyrical grace and very little hint of strain. Conductor Alan Tavener (a distant...
About
Tavener Conducts Tavener charts Cappella Nova’s professional and personal connection with the celebrated composer Sir John Tavener.
Tavener wrote some of the twentieth century’s most beautiful choral music; works such as The Whale and Song for Athene, which was sung at the funeral of Princess Diana, ensured he remained one of the most popular contemporary composers until his death in 2013.
Including works from across the choir’s twenty five year collaboration, this recording is bookended with choruses from the first piece Tavener ever wrote for Cappella Nova, Resurrection.
It also features nine premiere recordings including A Buddhist Miniature, commissioned to celebrate Cappella Nova’s thirtieth anniversary in 2012, A Cradle Song and O that we were there!
A brand new commission in memory of Tavener from his pupil and friend Ivan Moody, O isplendour, also receives its premiere here.
Ikon of the Nativity and Tavener’s mesmerising and atmospheric Christmas hymn, The Lamb, with its beautiful simplicity and lush harmonies, lend a timely seasonal feel to the programme.
Contents and tracklist
- Cappella Nova, Alan Tavener
- Recorded: 16–18 December 2014
- Recording Venue: Church of the Holy Rude, Stirling, United Kingdom
- Cappella Nova, Alan Tavener
- Recorded: 16–18 December 2014
- Recording Venue: Church of the Holy Rude, Stirling, United Kingdom
- Cappella Nova, Alan Tavener
- Recorded: 16–18 December 2014
- Recording Venue: Church of the Holy Rude, Stirling, United Kingdom
- Cappella Nova, Alan Tavener
- Recorded: 16–18 December 2014
- Recording Venue: Church of the Holy Rude, Stirling, United Kingdom
- Cappella Nova, Alan Tavener
- Recorded: 16–18 December 2014
- Recording Venue: Church of the Holy Rude, Stirling, United Kingdom
- Cappella Nova, Louise Wayman, Richard Wyn-Roberts, Graham Neal, Paul Charrier, Alan Tavener
- Recorded: 16–18 December 2014
- Recording Venue: Church of the Holy Rude, Stirling, United Kingdom
- Cappella Nova, Alan Tavener
- Recorded: 16–18 December 2014
- Recording Venue: Church of the Holy Rude, Stirling, United Kingdom
- Cappella Nova, Alan Tavener
- Recorded: 16–18 December 2014
- Recording Venue: Church of the Holy Rude, Stirling, United Kingdom
- Cappella Nova, Rebecca Tavener, Micaela Haslam, Anne Lewis, Reno Troilus, Alan Tavener
- Recorded: 16–18 December 2014
- Recording Venue: Church of the Holy Rude, Stirling, United Kingdom
- Cappella Nova, Canty, Alan Tavener
- Recorded: 16–18 December 2014
- Recording Venue: Church of the Holy Rude, Stirling, United Kingdom
- Cappella Nova, Alan Tavener
- Recorded: 16–18 December 2014
- Recording Venue: Church of the Holy Rude, Stirling, United Kingdom
- Cappella Nova, Alan Tavener
- Recorded: 16–18 December 2014
- Recording Venue: Church of the Holy Rude, Stirling, United Kingdom
- Cappella Nova, Alan Tavener
- Recorded: 16–18 December 2014
- Recording Venue: Church of the Holy Rude, Stirling, United Kingdom
- Cappella Nova, Alan Tavener
- Recorded: 16–18 December 2014
- Recording Venue: Church of the Holy Rude, Stirling, United Kingdom
- Cappella Nova, Alan Tavener
- Recorded: 16–18 December 2014
- Recording Venue: Church of the Holy Rude, Stirling, United Kingdom
- Cappella Nova, Alan Tavener
- Recorded: 16–18 December 2014
- Recording Venue: Church of the Holy Rude, Stirling, United Kingdom
Spotlight on this release
-
An error occurred.
Try watching this video on www.youtube.com, or enable JavaScript if it is disabled in your browser.
Awards and reviews
February 2016
All this can be very challenging to sing, and Cappella Nova not only manage to get the notes, but surmount them with lyrical grace and very little hint of strain. Conductor Alan Tavener (a distant relation) shapes this music very effectively, and obviously has a way when it comes to instilling confidence in singers
January 2016
do we really need another collage recording of John Tavener's choral music?...In this case, yes...The Scottish ensemble have a unique claim to champion works they themselves commissioned and premiered...Capella Nova's comparatively small forces come up rich and gloriously misty round the edges, while still achieving enough clarity to pull off the precision-work of The Lamb and Two Hadiths.