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Lassus: Prophetiæ Sibyllarum

Vocalconsort Berlin, Daniel Reuss

Lassus: Prophetiæ Sibyllarum
The Vocalconsort of Berlin present performances of such assurance and complete security that it is salutary to recall just how hard this mercurial music is to sing. A perfect balance, utterly...

Lassus: Prophetiæ Sibyllarum

Vocalconsort Berlin, Daniel Reuss

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This release includes a digital booklet

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The Vocalconsort of Berlin present performances of such assurance and complete security that it is salutary to recall just how hard this mercurial music is to sing. A perfect balance, utterly...

About

The Sibyls were women of ancient times with the gift of prophecy. From the Middle Ages, these figures and their myths were interpreted in a Christian light and placed on a level with the Old Testament prophets. They were a favourite motif in the visual arts during the Renaissance: the best known are Michelangelo's Sibyls in the ceiling frescoes of the Sistine Chapel, which also adorn the cover of this CD.

The twelve-part motet cycle 'Prophetiae Sibyllarum' was composed during Orlando di Lasso's early period at the Munich court under Duke Albrecht V. The Duke commissioned his young, promising court Kapellmeister to write several extended cycles of works and prohibited their publication, thus making them the sole property of the Munich court. This "musica riservata" was performed for a select audience and is noted for its great compositional skill and sophisticated Latin texts – in this case referring to Christmas events. In an unconventional manner, Lasso often places extreme harmonies next to each other in order to enhance the expression. It was only six years after Lasso's death that the 'Prophetiæ Sibyllarum' was published for the first time.

The Vocalconsort Berlin supplements this half-hour work with more motets of Lasso, also associated with Christmas celebration.

Contents and tracklist

Prologue
Track length1:18
Sibylla Persica: Virgine matre
Track length2:33
Sibylla Lybica: Ecce dies venient
Track length2:42
Sibylla Delphica: Non tarde
Track length2:15
Sibylla Cimmeria: In teneris
Track length1:59
Sibylla Samia: Ecce dies nigras
Track length1:48
Sibylla Cumana: Jam mea
Track length2:02
Sibylla Hellespontica: Dum meditor
Track length2:04
Sibylla Phrygia: Ipsa Deum
Track length1:47
Sibylla Europaea: Virginis aeternum
Track length2:03
Sibylla Tiburtina: Verax ipse
Track length2:02
Sibylla Erythraea: Cerno Dei
Track length1:52
Sibylla Agrippa: Summus erit
Track length2:33
Selectiorum aliquot cantionum sacrarum: Dixit Dominus
Track length4:16
Sacrae cantiones: Angelus ad pastores ait [Nuremberg, 1562]
Track length2:29
Cantiones aliquot: Quem vidistis pastores
Track length2:27
Sacrae cantiones: Videntes stellam [Nuremberg, 1562]
Track length3:28
Magnum opus musicum: Ave Maria gratia plena
Track length1:47
Aurora lucis rutilat
Track length7:27

Awards and reviews

Early Music Review October 2015

The Vocalconsort of Berlin present performances of such assurance and complete security that it is salutary to recall just how hard this mercurial music is to sing. A perfect balance, utterly secure intonation and a constant inexorable sense of direction make this one of the most impressive recordings I have heard of this repertoire.

November 2015

Vocalconsort Berlin's approach is most comparable to The Brabant Ensemble's for Hyperion, though the deeper acoustic imparts a bigger sound…Daniel Reuss's direction tends towards smooth lines and seamless transitions, an approach that obviously corresponds to the ensemble's sound
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