Special offer. Anthony de Mare - Liaisons
Re-imagining Sondheim From The Piano
Anthony de Mare (piano)
You can't always tell in advance where the jewels will lie…but the duds never seriously compromise the joy and diversity of De Mare's enterprise and artistry, or the haunting power of Sondheim's...
Special offer. Anthony de Mare - Liaisons
Re-imagining Sondheim From The Piano
Anthony de Mare (piano)
Purchase product
You can't always tell in advance where the jewels will lie…but the duds never seriously compromise the joy and diversity of De Mare's enterprise and artistry, or the haunting power of Sondheim's...
About
US concert pianist Anthony de Mare pays tribute to Stephen Sondheim in a fascinating project. De Mare invited contemporary composers from a broad variety of genres – from Sondheim’s own world of musical theatre to jazz, classical, pop, film and beyond – to “re-imagine” a Sondheim song of their choice as a piece for solo piano.
Sondheim is more than America’s pre-eminent composer of musical theatre, and his influence has resonated far beyond Broadway. Contributing “re-composers” include Steve Reich, Mark-Anthony Turnage, Wynton Marsalis, Nico Muhly, William Bolcom, Jake Heggie, Michael Daugherty, Frederic Rzewski, Mary Ellen Childs, Duncan Sheik, Nils Vigeland, Gabriel Kahane, Tania Leon, Fred Hersch, Ethan Iverson, David Shire, Thomas Newman and more – in total, 36 composers representing seven countries and 29 Grammy, Pulitzer, Tony, Academy and Emmy Awards!
Among the Sondheim songs featured are Being Alive, Pretty Women, I’m Still Here, The Ladies Who Lunch, No One Is Alone, Johanna, Finishing the Hat, the title numbers from ‘Merrily We Roll Along’ and ‘Into the Woods’, and, of course, Send in the Clowns.
Contents and tracklist
- Anthony de Mare (piano)
- Recorded: 2014
- Recording Venue: Greenfield Recital Hall, Manhattan School of Music
- Anthony de Mare (piano)
- Recorded: 2014
- Recording Venue: Greenfield Recital Hall, Manhattan School of Music
- Anthony de Mare (piano)
- Recorded: 2014
- Recording Venue: Greenfield Recital Hall, Manhattan School of Music
- Anthony de Mare (piano)
- Recorded: 2014
- Recording Venue: Greenfield Recital Hall, Manhattan School of Music
- Anthony de Mare (piano)
- Recorded: 2014
- Recording Venue: Greenfield Recital Hall, Manhattan School of Music
- Anthony de Mare (piano)
- Recorded: 2014
- Recording Venue: Greenfield Recital Hall, Manhattan School of Music
- Anthony de Mare (piano)
- Recorded: 2014
- Recording Venue: Greenfield Recital Hall, Manhattan School of Music
- Anthony de Mare (piano)
- Recorded: 2014
- Recording Venue: Greenfield Recital Hall, Manhattan School of Music
- Anthony de Mare (piano)
- Recorded: 2014
- Recording Venue: Greenfield Recital Hall, Manhattan School of Music
- Anthony de Mare (piano)
- Recorded: 2014
- Recording Venue: Greenfield Recital Hall, Manhattan School of Music
- Anthony de Mare (piano)
- Recorded: 2014
- Recording Venue: Greenfield Recital Hall, Manhattan School of Music
- Anthony de Mare (piano)
- Recorded: 2014
- Recording Venue: Greenfield Recital Hall, Manhattan School of Music
- Anthony de Mare (piano)
- Recorded: 2014
- Recording Venue: Greenfield Recital Hall, Manhattan School of Music
- Anthony de Mare (piano)
- Recorded: 2014
- Recording Venue: Greenfield Recital Hall, Manhattan School of Music
- Anthony de Mare (piano)
- Recorded: 2014
- Recording Venue: Greenfield Recital Hall, Manhattan School of Music
Spotlight on this release
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Awards and reviews
March 2016
You can't always tell in advance where the jewels will lie…but the duds never seriously compromise the joy and diversity of De Mare's enterprise and artistry, or the haunting power of Sondheim's original songs, reflected in 37 crazy mirrors.
February 2016
All of the music holds interest, although some selections succeed more than others. The pieces generally fare best when composers remain true to their own stylistic selves and stay focused…[a] fascinating, excellently produced collection
New York Times 11th December 2015
For this ambitious project, the pianist Mr. de Mare, a contemporary music champion and Stephen Sondheim fan, commissioned composers from all camps of new music — Steve Reich, Wynton Marsalis and Tania Leon among them — to write solo-piano pieces inspired by favorite Sondheim songs.