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Rose, G: Danse Macabre

Estonian Philharmonic Chamber Choir and Chamber Ensemble, Gregory Rose

Rose, G: Danse Macabre
a remarkable experiment in music theatre. Inspired by a 16th-century painting series in a Tallinn church, Rose sets a medley of Latin and medieval German texts, interleaving choral and solo...

Rose, G: Danse Macabre

Estonian Philharmonic Chamber Choir and Chamber Ensemble, Gregory Rose

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a remarkable experiment in music theatre. Inspired by a 16th-century painting series in a Tallinn church, Rose sets a medley of Latin and medieval German texts, interleaving choral and solo...

About

The Danse macabre – the idea that Death comes for everyone regardless of status or importance – has fascinated musicians for centuries.

In 2011, inspired by a vast sixteenth-century painting by Bernt Notke in the Niguliste kirik (St Nicholas Church) in Tallinn, the English composer Gregory Rose (b. 1948) set the mediaeval German texts which sit below each panel, turning Notke’s terrifying vision into a bleak but grimly humorous ritual.

This recording features the world-renowned Estonian Philharmonic Chamber Choir. It was recorded in the very church that houses Notke’s paintings and is conducted by the composer.

Gregory Rose – professor of conducting at Trinity Laban Conservatoire of Music and Dance in London – has worked with orchestras, ensembles and choirs throughout Europe and the Far East, particularly in Romantic and contemporary repertoire, and has conducted hundreds of premieres.

The orchestras with which he has worked include the Finnish Radio Symphony, St Petersburg Symphony, London Philharmonic and the National Symphony Orchestras of Estonia, Latvia, Lithuania and Eire, the BBC Concert Orchestra, and his own Jupiter Orchestra and Singers, Singcircle and CoMA London Ensemble. As arranger/conductor he has worked with Diana Ross, Linda Ronstadt and Madness.

Contents and tracklist

I. Dance 1, Processional
Track length3:00
II. Requiem aeternam
Track length3:31
III. Song 1
Track length1:59
IV. Death Song 1 "Death to All" - Kyrie eleison
Track length1:25
V. Dance 2
Track length1:22
VI. Death Song 2 "Death to the Pope"
Track length1:33
VII. Song 2
Track length2:02
VIII. Tract. Absolve Domine
Track length3:12
IX. Death Song 3 " Death Answers the Pope"
Track length1:26
X. Dance 3
Track length1:07
XI. Sequence. Dies irae
Track length1:51
XII. Song 3
Track length3:01
XIII. Offertory. Domine, Jesu Christe
Track length2:43
XIV. Death Song 4 "Death to the Emperor"
Track length2:19
XV. Dance 4
Track length1:27
XVI. Song 4
Track length2:16
XVII. Sanctus
Track length1:23
XVIII. Death Song 5 "Death to the Empress"
Track length0:56
XIX. Dance 5
Track length1:40
XX. Song 5
Track length1:14
XXI. Death Song 6 "Death to the Cardinal"
Track length1:59
XXII. Song 6
Track length1:26
XXIII. Communion. Lux aeterna
Track length4:19
XXIV. Death Song 7 "Death to the King and All"
Track length1:26
XXV. Dance 6
Track length1:21
XXVI. In Paradisum
Track length3:17
XXVII. Dance 7, Recessional
Track length2:15
XXVIII. Pie Jesu
Track length5:07

Awards and reviews

6th September 2015

a remarkable experiment in music theatre. Inspired by a 16th-century painting series in a Tallinn church, Rose sets a medley of Latin and medieval German texts, interleaving choral and solo movements and instrumental dances in a startling tapestry of sound. Stravinsky and Britten may be reference points, but distant: the inventiveness is his own.
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