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Special offer. Bellini: I Capuleti e I Montecchi

Vivica Genaux (Romeo), Valentina Farcas (Giulietta), Davide Giusti (Tebaldo), Fabrizio Beggi (Lorenzo), Ugo Guagliardo (Capellio)

Belcanto Chorus & Europa Galante, Fabio Biondi

Bellini: I Capuleti e I Montecchi
[Biondi's] insistence on intimacy is underpinned by an alert period band - with fortepiano added to the ensemble - and smallish chorus. Instrumentally the reading constantly refreshes listening...

Special offer. Bellini: I Capuleti e I Montecchi

Vivica Genaux (Romeo), Valentina Farcas (Giulietta), Davide Giusti (Tebaldo), Fabrizio Beggi (Lorenzo), Ugo Guagliardo (Capellio)

Belcanto Chorus & Europa Galante, Fabio Biondi

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2 CDs

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[Biondi's] insistence on intimacy is underpinned by an alert period band - with fortepiano added to the ensemble - and smallish chorus. Instrumentally the reading constantly refreshes listening...

About

For many years Fabio Biondi has been investing Italian scores with his own particular genius, and so it is no real surprise to find him extending his reach into early Romanticism with this Glossa release of 'I Capuleti e i Montecchi'. Bellini’s masterpiece, first performed in 1830 – to Felice Romani’s story of love confronted by struggles for power – seamlessly incorporates large sections from a previously unsuccessful opera and, as did Rossini before him, Bellini calls for a mezzo-soprano in the male lead role. Vivica Genaux is Romeo in Biondi’s production with Europa Galante (made in Rieti) and she is joined by Valentina Farcas as Giulietta and supported by Davide Giusti (Tebaldo), Fabrizio Beggi (Lorenzo) and Ugo Guagliardo (Capellio).

Fabio Biondi clearly intends listeners to discover new details and perspectives on and around the musical score of this new 'Capuleti'. In his notes he talks about his careful attention to questions of the original acoustic conditions for an opera like this; how modern-day orchestras are now much larger than in Bellini’s time; the particular importance of score markings and tempi choices.

Contents and tracklist

Act I: Sinfonia
Track length4:53
Act I: Aggiona appena … (Chorus)
Track length3:50
Act I: O di Capello, generosi amici (Tebaldo, Chorus, Capellio, Lorenzo)
Track length2:32
Act I: E serbato a questo acciaro (Tebaldo, Capellio, Lorenzo)
Track length2:52
Act I: L'amo, ah! l'amo (Tebaldo, Capellio, Chorus, Lorenzo)
Track length4:15
Act I: Vanne Lorenzo: e tu, che il puoi (Capellio, Tebaldo, Chorus)
Track length1:42
Act I: Lieto del dolce incarco (Romeo, Tebaldo, Capellio, Chorus)
Track length1:58
Act I: Ascolta, Se Romeo t'uccise un figlio (Romeo)
Track length2:20
Act I: Riedi al campo, e di' allo stolto (Capellio, Romeo, Tebaldo, Chorus)
Track length0:45
Act I: La tremenda ultrice spada (Romeo, Capellio, Tebaldo, Chorus)
Track length2:56
Act I: Andante maestoso e sostenuto
Track length1:43
Act I: Eccomi in lieta vesta … (Giulietta)
Track length3:17
Act I: Oh! Quante volte, oh quante (Giulietta)
Track length4:03
Act I: Propizia e l'ora (Lorenzo, Giulietta, Romeo) - Scene 6: Io ti rivedo, oh! gioia! (Giulietta, Romeo)
Track length2:45
Act I: Si, fuggire (Romeo, Giulietta)
Track length4:16
Act I: Ah, crudel, d'onor ragioni (Romeo, Giulietta)
Track length4:35
Act I: Odi tu? L'altar funesto (Romeo, Giulietta)
Track length1:01
Act I: Vieni, ah!, vieni, e in me riposa (Romeo, Giulietta)
Track length3:51
Act I: Lieta notte, avventurosa (Chorus)
Track length2:36
Act I: Deh! Per pieta, t'arresta (Lorenzo, Romeo)
Track length1:33
Act I: Qual tumulto! (Lorenzo, Capuleti, Romeo)
Track length1:17
Act I: Tace il fragor (Giulietta) - Giulietta!, Ahime! … chi vedo? (Romeo, Giulietta)
Track length2:53
Act I: Io te lo chiedo (Romeo, Capuleti, Giulietta)
Track length0:52
Act I: Che miro? (Tebaldo, Lorenzo, Giulietta, Romeo, Capellio)
Track length1:57
Act I: Soccorso, sostegno (Giulietta, Romeo, Capellio, Tebaldo, Lorenzo)
Track length2:54
Act I: Accorriam … Romeo! (Montecchi, Tebaldo, Capellio, Romeo, Giulietta, Lorenzo, Chorus)
Track length1:33
Act I: Se ogni speme (Giulietta, Romeo, Tebaldo, Capellio, Chorus, Lorenzo)
Track length2:49
Act II: Allegro moderato
Track length1:45
Act II: Ne alcun ritorna! … (Giulietta, Lorenzo)
Track length2:40
Act II: Morte io non temo il sai (Giulietta, Lorenzo)
Track length2:44
Act II: Prendi, gl'isntanti volano (Lorenzo, Giulietta, Capellio, Chorus)
Track length1:34
Act II: Ah! Non poss'io partire (Giulietta, Capellio, Lorenzo, Chorus)
Track length5:03
Act II: Qual turbamento io provo! (Capellio)
Track length0:48
Act II: Maestoso - Deserto e il luogo (Romeo)
Track length4:41
Act II: Chi sei tu, che ardisci (Tebaldo, Romeo)
Track length4:36
Act II: Qua' voci! Oh Dio! (Tebaldo, Romeo)
Track length1:22
Act II: Ella e morta, o sciagurato (Romeo, Tebaldo)
Track length2:59
Act II: Andante mosso - Siam giunti (Chorus)
Track length3:00
Act II: Ecco la tomba … (Romeo, Montecchi)
Track length6:09
Act II: Deh! Tu, bell'anima (Romeo, Giulietta)
Track length2:23
Act II: O tu, mia sola speme (Romeo, Giulietta)
Track length3:18
Act II: Ah! Crudel! Che mai facesti … (Giulietta, Romeo, Montecchi, Capellio, Lorenzo)
Track length4:16

Awards and reviews

December 2015

[Biondi's] insistence on intimacy is underpinned by an alert period band - with fortepiano added to the ensemble - and smallish chorus. Instrumentally the reading constantly refreshes listening ears, imbuing Bellini's famously spare orchestration with tender Romanticism, drawing the pacing out of the notes rather than imposing it on the drama.

November 2015

there is plenty to please in Europa Galante's performance…[Farcas's] light, silvery soprano lends a fragility to her character that Anna Netrebko doesn't always manage…Biondi certainly draws some exciting sounds from Europa Galante, lively woodwinds and thunderous timpani injecting tangy period-instrument flavours to proceedings

March 2016

Vivica Genaux knows her way around the role of Romeo musically and dramatically. I personally find her characteristic bitter-chocolate timbre more affecting in 18th-century music than in later bel canto; but anything that can be accomplished with musical intelligence, artful phrasing and aplomb Genaux accomplishes here, even if some of the weightier episodes stretch her tonal resources.
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