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Holst: The Planets & St. Paul’s Suite

Simon Johnson (organ)

Peter Sykes's organ arrangement, rather like Holst's two-piano version, effectively highlights the work's dissonant harmonies. As performed by Simon Johnson on the Grand Organ of St Paul's Cathedral,...

Holst: The Planets & St. Paul’s Suite

Simon Johnson (organ)

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Peter Sykes's organ arrangement, rather like Holst's two-piano version, effectively highlights the work's dissonant harmonies. As performed by Simon Johnson on the Grand Organ of St Paul's Cathedral,...

About

This is one of the most staggering organ recordings ever to have been made! Simon Johnson was originally sceptical about Priory’s Callum Ross suggesting to him that it would make an ideal recording in the vast acoustics of St. Paul’s Cathedral in London. The discovery of Peter Sykes’ brilliant arrangement answered all the doubts that Simon Johnson had and he set about learning this incredible score. The organ was of course a willing partner and the notorious acoustic – so often the cause of debate in relation to musical performances – seems to help project the scale and metaphysical properties of Holst’s original conception in a positive and dramatic way.

This is an organ recording not to be missed, captured sensationally by Paul Crichton.

Contents and tracklist

I. Mars, the Bringer of War
Track length7:38
II. Venus, the Bringer of Peace
Track length8:50
III. Mercury, the Winged Messenger
Track length4:55
IV. Jupiter, the Bringer of Jollity
Track length8:31
V. Saturn, the Bringer of Old Age
Track length9:01
VI. Uranus, the Magician
Track length6:23
VII. Neptune, the Mystic
Track length7:24
I. Jig
Track length3:46
II. Ostinato
Track length2:05
III. Intermezzo
Track length4:22
IV. Finale "The Dargason"
Track length4:26

Awards and reviews

December 2015

Peter Sykes's organ arrangement, rather like Holst's two-piano version, effectively highlights the work's dissonant harmonies. As performed by Simon Johnson on the Grand Organ of St Paul's Cathedral, with its generous acoustic, 'Mars' sounds exceptionally ferocious. Almost as impressive are 'Saturn', its climax even more inexorable than the orchestral original…and 'Uranus', sounding especially sinister…yet much of the work does not fall naturally into the organ's style, or suffers from poor approcimation of particular instrumental colours.
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