Russian Émigrés
Alissa Firsova (piano)
Awards:
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Gramophone Awards, 2016, Shortlisted - Baroque Instrumental
Elena Firsova's For Alissa, sounding like a curious cocktail of late Scriabin and Messiaen, was inspired by the Corelli Variations; while Dmitri Smirnov's Blake Sonata, with its exciting second...
Russian Émigrés
Alissa Firsova (piano)
Purchase product
Awards:
-
Gramophone Awards, 2016, Shortlisted - Baroque Instrumental
Elena Firsova's For Alissa, sounding like a curious cocktail of late Scriabin and Messiaen, was inspired by the Corelli Variations; while Dmitri Smirnov's Blake Sonata, with its exciting second...
About
In December 1917, Sergei Rachmaninov had to flee Moscow in haste, never to return again. Some sixty years later, the composers Elena Firsova and Dmitri Smirnov were blacklisted in Russia (alongside five composers including Sofia Gubaidulina). After a difficult decade, and just before the fall of the Soviet Union, they left Russia – doing so, like Rachmaninov, with just a couple of suitcases and their two young children in tow. Heading to Great Britain, and on arrival there moving lodgings no fewer than thirteen times, they finally settled in the UK.
One of those youngsters was Alissa Firsova, who has since risen to become one of the UK’s brightest stars of the new composing generation. An equally talented pianist, on this, her début solo disc, she performs Rachmaninov’s rarely-heard original 1913 version of his Second Piano Sonata, and the Variations on a Theme of Corelli, together with music by her father (Dmitri Smirnov’s Blake Sonata), her mother (Elena Firsova’s For Alissa) and Alissa’s own Lune Rouge.
The release of this disc coincides with Alissa Firsova’s new orchestral commission for the Bergen Philharmonic Orchestra, which will be given its world premiere under the baton of Andrew Litton at the BBC Proms on 27 August 2015.
Extensive presentation includes 32 page booklet with insightful liner note in three languages (English, French & German), together with copies of manuscripts and session photographs.
Contents and tracklist
- Alissa Firsova (piano)
- Recorded: 23-25 January 2015
- Recording Venue: The Menuhin Hall, Surrey, United Kingdom
- Alissa Firsova (piano)
- Recorded: 23-25 January 2015
- Recording Venue: The Menuhin Hall, Surrey, United Kingdom
- Alissa Firsova (piano)
- Recorded: 23-25 January 2015
- Recording Venue: The Menuhin Hall, Surrey, United Kingdom
- Alissa Firsova (piano)
- Recorded: 23-25 January 2015
- Recording Venue: The Menuhin Hall, Surrey, United Kingdom
- Alissa Firsova (piano)
- Recorded: 23-25 January 2015
- Recording Venue: The Menuhin Hall, Surrey, United Kingdom
Spotlight on this release
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Awards and reviews
October 2015
Elena Firsova's For Alissa, sounding like a curious cocktail of late Scriabin and Messiaen, was inspired by the Corelli Variations; while Dmitri Smirnov's Blake Sonata, with its exciting second movement depiction of William Blake's Tyger, was inspired by the tintinnabulation of Rachmaninov's Second Sonata