Special offer. Lieder by Max Kowalski
Wolfgang Holzmair (baritone), Thérèse Lindquist (piano)
Kowalski is no musical iconoclast, preferring instead to exploit the grotesque imagery of the poetry within strictly tonal parameters…Holzmair delivers all the music with great commitment, taking...
Special offer. Lieder by Max Kowalski
Wolfgang Holzmair (baritone), Thérèse Lindquist (piano)
Purchase product
Kowalski is no musical iconoclast, preferring instead to exploit the grotesque imagery of the poetry within strictly tonal parameters…Holzmair delivers all the music with great commitment, taking...
About
Max Kowalski, who lived and practiced law in Frankfurt am Main, was from 1913 till 1933 a well-known, much-esteemed, and frequently performed composer. Kowalski was born in Poland (then Russia) on August 10th, 1882 and grew up in Germany, to which his parents emigrated when he was a year old. Kowalski's reputation rests on his production of more than two hundred art songs, which have been in the repertoire of many leading artists, including Heinrich Schlusnus, Maria Ivogün, Paul Bender, Joseph Schwarz, Alexander Kipnis, Karen Branzell, and Hans Hotter. The present CD is drawn from a recital sung in 2011 in Munich by the great Austrian baritone, Wolfgang Holzmair. It offers two song cycles and songs composed to texts by some of Germany's leading poets. The CD includes Kowalski's best known cycle, his Pierrot Lunaire, which appeared the same year (1913) as Arnold Schoenberg's settings.
Contents and tracklist
- Wolfgang Holzmair, Thérèse Lindquist
- Wolfgang Holzmair, Thérèse Lindquist
- Wolfgang Holzmair, Thérèse Lindquist
- Wolfgang Holzmair, Thérèse Lindquist
- Wolfgang Holzmair, Thérèse Lindquist
- Wolfgang Holzmair, Thérèse Lindquist
- Wolfgang Holzmair, Thérèse Lindquist
Awards and reviews
September 2015
Kowalski is no musical iconoclast, preferring instead to exploit the grotesque imagery of the poetry within strictly tonal parameters…Holzmair delivers all the music with great commitment, taking infinite care to put across the exact sentiment and mood of each poem.
August 2015
Holzmair sings it all with an immaculate style that admirably fuses sound and sense…Thérèse Lundquist tackles the accompaniments, some of them almost Lisztian in their complexity, with terrific aplomb