Carl Goldmark, Jewish composer of Hungaro-Austrian descent, practically never in his youth received comprehensive musical training, which may be why he only at the age of 30, around the year 1860, gained public attention as a composer with his string quartet Op. 8. Foregone has a period of in- tense self-study of counterpoint and works by Bach and Beethoven. Two years later, Goldmarks string quintet Op. 9 premiered, though being thought of as too bold for the taste of the audience, hence its performance was re- fused by Ferdinand David, concert master of the Gewandhaus Orchestra in Leipzig, after having made some unpleasant experiences with the string sextet by Brahms. The Haydn Quartet, for more than 20 years “quartet in residence” in Esterhazy Palace in Eisenstadt, is being supported by out- standing cellist and professor Rudolph Leopold.