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Mozart: Flute Quartets Nos. 1-4

Juliette Hurel (flute)

Quatuor Voce

Mozart: Flute Quartets Nos. 1-4
Juliette Hurel is an excellent flautist, warm and clean tone, but a musician whose insight is often circumscribed by emotional reticence...It's a shining exception, of artists stepping out of...

Mozart: Flute Quartets Nos. 1-4

Juliette Hurel (flute)

Quatuor Voce

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Juliette Hurel is an excellent flautist, warm and clean tone, but a musician whose insight is often circumscribed by emotional reticence...It's a shining exception, of artists stepping out of...

About

Alpha is pleased to welcome again the great flautist Juliette Hurel, who has made several recordings for ZZT and Outhere in the past. This recording is the result of the fruitful encounter between the flautist and the Voce Quartet, which occurred in the inspiring framework of the Ferme de Villefavard in the Limousin region.

En route to Paris, Mozart stayed in Mannheim in 1777, obtaining a commission for several works on behalf of an amateur flautist who was also a rich and distinguished surgeon, formerly engaged in the Dutch East India Company. The flute imposed itself undeniably as solo instrument in these scores imbued with concertante writing and the gallant style characteristic of the taste of the Mannheim court at that time. Some of the quartets would be composed later, in Vienna, such as the jovial K. 298 in which each movement takes up a familiar tune, which Mozart either varied or parodied.

Contents and tracklist

I. Allegro
Track length9:45
II. Adagio
Track length2:23
III. Rondo
Track length4:28
I. Andante
Track length8:11
II. Tempo di menuetto
Track length3:28
Thema. Andante
Track length5:49
II. Menuetto and Trio
Track length2:08
III. Rondieaoux (Allegretto grazioso, ma non troppo presto, però non troppo adagio. Così-così con molto garbo ed espressione)
Track length3:02

Spotlight on this release

Awards and reviews

September 2015

Juliette Hurel is an excellent flautist, warm and clean tone, but a musician whose insight is often circumscribed by emotional reticence...It's a shining exception, of artists stepping out of templates, taking personal responsibility to go beyond the notes to find the moods, colour and potency inherent in the music.
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