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L'Arte dei Piffari

Cornetts and Sackbuts in Early Baroque Italy

William Dongois, Stefan Legée & Franck Poitrineau

Ensemble Ventosum

L'Arte dei Piffari
This anthology constructs a narrative through Italian music ranging acoross more than a century, from about 1580 to 1700, and most of the pieces are transcriptions taken from short sacred polyphony...

L'Arte dei Piffari

Cornetts and Sackbuts in Early Baroque Italy

William Dongois, Stefan Legée & Franck Poitrineau

Ensemble Ventosum

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$13.00

320 kbps, MP3

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
This anthology constructs a narrative through Italian music ranging acoross more than a century, from about 1580 to 1700, and most of the pieces are transcriptions taken from short sacred polyphony...

About

William Dongois, Franck Poitrineau and Stefan Legée founded the Ensemble Ventosum in order to perform historically correct interpretations of the music for their instruments – cornetts and sackbuts (baroque trombones). An important concern of the ensemble is cooperation on equal terms between all the musicians without any fixed hierarchical structure; this enables them to play freely and creatively, combining musicological knowledge with a zest for improvisation.

Both instrumental groups existed in various sizes and ranges and were considered brass consorts – which is not actually correct, for cornetts were made out of wood, after all. These kinds of consorts were used in the areas of both secular and sacred music because their full, sustainable sound made them ideally suited for playing in churches, large spaces and outdoors.

The Ensemble Ventosum introduces Italian music from the "golden age" of cornetts and sackbuts - which lasted from about 1580 to 1650 - on the CD L’Arte dei Piffari. It includes works for grand princely weddings and dances as well as instrumental motets and madrigals, providing a representative overview of the wide variety of applications of these instruments and the "art of the winds" (L’Arte dei Piffari) of this epoch.

Contents and tracklist

Sinfonia a 4
Track length2:18
Concerti ecclesiastici: O doctor optime
Track length2:54
Sonate a 4,6,8, con alcuni concerti a 8: Sonata undecima, "La Marina"
Track length3:54
Sacrae symphoniae: Domine exaudi (arr. W. Dongois for 2 cornets and 4 trombones)
Track length5:14
Il primo libre de motetti: Jubilate deo
Track length4:54
Sinfonia a 5 (arr. for 2 cornets and 3 trombones)
Track length1:17
Gagliarda a 5 (arr. for 2 cornets and 3 trombones)
Track length1:06
Selva di varia ricreatione: Balletto a 5
Track length2:26
Sonate da sonarsi con varij stromenti: Sonata a 6
Track length5:46

Awards and reviews

September 2015

This anthology constructs a narrative through Italian music ranging acoross more than a century, from about 1580 to 1700, and most of the pieces are transcriptions taken from short sacred polyphony originally written for voices...these expertly played interpretations are manna from heaven for those who adore Renaissance brass consorts.
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