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Special offer. William Lawes: The Royal Consorts

Elizabeth Kenny (theorbo), Daniel Hyde (organ)

Phantasm

William Lawes: The Royal Consorts

Awards:

The musicians respond to Lawes's complex and variegated emotions with playing by turns buoyant and vigorous, graceful and serene. They delight, too, in his quirky wit...[in Consorts to the Organ]...

Special offer. William Lawes: The Royal Consorts

Elizabeth Kenny (theorbo), Daniel Hyde (organ)

Phantasm

Purchase product

96 kHz, 24 bit, FLAC/ALAC/WAV

Original price ($26.75) Reduced price $18.75

44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price ($20.00) Reduced price $14.00

320 kbps, MP3

Original price ($13.25) Reduced price $9.25

This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

The musicians respond to Lawes's complex and variegated emotions with playing by turns buoyant and vigorous, graceful and serene. They delight, too, in his quirky wit...[in Consorts to the Organ]...

About

Described as ‘one of the greatest collections of ensemble dance music ever composed’, Lawes’ Royal Consort is full of astounding moments of striking musical invention.

Guest musicians Elizabeth Kenny on theorbo, Emily Ashton on tenor viol and organist Daniel Hyde join Phantasm to honour the celebrated English Renaissance composer.

This sublime collection boasts a range and depth of expression, which excites both mind and body through Lawes’ startlingly individual pieces.

This recording is the first complete recording of Lawes’ version of the Royal Consorts for four viols and theorbo.

Phantasm, under the direction of Laurence Dreyfus, presents a passionate and insightful look into this adventurous music.

The result is a rich and warm recording of technical brilliance that takes the listener deep into the harmonically rich world of Lawes.

Phantasm’s previous recording of Lawes, Consorts to the Organ, was both a Gramophone Awards finalist and a BBC Music Magazine Award nominee in 2013.

Phantasm has been widely acclaimed for its previous recordings with Linn: its 2011 recording of William Byrd was named ‘Disc of the Month' by BBC Music and its 2009 Linn debut of music by John Ward was described as ‘stunning' by Gramophone.

Critics have described the ensemble and its recordings as ‘intoxicating', ‘revelatory', ‘electrifying' and ‘interpretations pervaded by a truly burning spirit'.

The award-winning ensemble has been applauded across the globe for its moving performances and is recognised as the most exciting viol consort active on the world scene today.

Phantasm’s international members (from Britain, Finland and the US) are based in Oxford where they are Consort-in-Residence and regularly collaborate with Magdalen College Choir under its director, Daniel Hyde.

Contents and tracklist

I. Aire
Track length1:37
II. Alman
Track length1:46
III. Corant
Track length1:42
IV. Corant
Track length0:53
V. Saraband
Track length0:47
I. Paven
Track length4:53
II. Aire
Track length1:21
III. Aire
Track length2:00
IV. Aire
Track length2:01
V. Corant
Track length1:16
VI. Corant
Track length1:31
VII. Saraband
Track length0:33
I. Aire
Track length2:15
II. Aire
Track length1:31
III. Corant
Track length1:19
IV. Alman
Track length1:20
V. Corant
Track length1:24
VI. Saraband
Track length0:47
I. Aire
Track length3:29
II. Aire
Track length1:42
III. Alman
Track length1:06
IV. Corant
Track length1:51
V. Corant
Track length1:19
VI. IV. Morriss
Track length0:39
VII. Saraband
Track length0:54
I. Aire
Track length2:18
II. Alman
Track length1:26
III. Corant
Track length2:07
IV. Corant
Track length0:43
V. Saraband
Track length0:35
I. Pavan
Track length6:33
II. Aire
Track length1:42
III. Alman
Track length1:42
IV. Corant
Track length1:07
V. Alman
Track length1:43
VI. Corant
Track length1:38
VII. Saraband
Track length0:31
I. Fantazy
Track length2:42
II. Pavan
Track length6:09
III. Aire
Track length2:13
I. Pavan
Track length5:45
II. Aire
Track length1:27
III. Aire
Track length1:30
IV. Galliard
Track length1:17
V. Corant
Track length1:28
VI. Saraband
Track length0:52
I. Aire
Track length1:53
II. Alman
Track length1:25
III. Corant
Track length2:08
IV. Morriss
Track length0:49
I. Aire
Track length2:24
II. Alman
Track length1:47
III. Alman
Track length1:08
IV. Aire
Track length1:20
V. Corant
Track length1:40
VI. Saraband
Track length0:32
I. Paven
Track length3:47
II. Alman
Track length1:58
III. Corant
Track length1:32
IV. Alman
Track length1:55
V. Corant
Track length1:03
VI. Saraband
Track length0:38
I. Paven
Track length6:06
II. Alman
Track length2:11
III. Saraband
Track length0:39
I. Fantazy
Track length3:09
II. Fantazy
Track length3:26
III. Inomine
Track length4:04
IV. Aire
Track length2:36
I. Fantazy
Track length3:50
II. Fantazy
Track length3:04
III. Aire
Track length3:17

Awards and reviews

August 2015

The musicians respond to Lawes's complex and variegated emotions with playing by turns buoyant and vigorous, graceful and serene. They delight, too, in his quirky wit...[in Consorts to the Organ] the players discourse with subtle rhetoric and high seriousness, underscoring the music's pervasive melancholy.

June 2015

Phantasm's playing brims with imaginative fantasy and dance-like momentum…a pleasing broadening of textures is injected into this beguiling survey by the additional tenor violist Emily Ashton and organist Daniel Hyde in some denser six-part sets

7th May 2015

The viol music of William Lawes is like nothing else: weird phrase lengths, irreverent weightings and rogue, sumptuous harmonies that will make you gasp out loud every time...the Phantasm players really run with it: twist after turn of lapping, pliant lines and spirited counterpoint, all done with a real sense of swing. The ensemble sound is luxuriantly rich, powered by Elizabeth Kenny’s feisty theorbo strumming.

Classical Music May 2015

Vivid, arresting and harmonically bold, Lawes’ seemingly endless invention is matched by playing here of startling concentration and energy.
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