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Special offer. Verdi: Simon Boccanegra

Dmitri Hvorostovsky (Simon Boccanegra), Marco Caria (Paolo), Kostas Smoriginas (Pietro), Ildar Abdrazakov (Fiesco), Barbara Frittoli (Maria/Amelia), Stefano Secco (Gabriele Adorno), Eglė Šidlauskaitė (Ancilla), Kęstutis Alčauskis (Capitano)

Kaunas State Choir, Kaunas City Symphony Orchestra,...

Verdi: Simon Boccanegra
It is obvious [that Hvorostovsky] has thought deeply about Boccenegra and is absolutely inside the character; he is also able to realise his portrayal with an impressive largesse of tone...Abdrazakov...

Special offer. Verdi: Simon Boccanegra

Dmitri Hvorostovsky (Simon Boccanegra), Marco Caria (Paolo), Kostas Smoriginas (Pietro), Ildar Abdrazakov (Fiesco), Barbara Frittoli (Maria/Amelia), Stefano Secco (Gabriele Adorno), Eglė Šidlauskaitė (Ancilla), Kęstutis Alčauskis (Capitano)

Kaunas State Choir, Kaunas City Symphony Orchestra,...

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44.1 kHz, 24 bit, FLAC/ALAC/WAV

Original price ($26.75) Reduced price $18.75

44.1 kHz, 16 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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This release includes a digital booklet

Stream now Hi-RES 44.1 kHz, 24 bit
It is obvious [that Hvorostovsky] has thought deeply about Boccenegra and is absolutely inside the character; he is also able to realise his portrayal with an impressive largesse of tone...Abdrazakov...

About

Our first-ever full-length Italian opera recording, Delos’s star-studded current release of Giuseppi Verdi’s Simon Boccanegra promises to make quite a splash among today’s opera fans. As Verdi was entering his glorious “late period” (Otello and Falstaff) he wrote and re-worked much of Simon Boccanegra, a work that he had first tackled in 1857. The opera emerged in 1881 as a powerful masterpiece, although one that has been unfairly neglected, in comparison with Verdi’s other works on that level. So it’s high time for an authoritative new release of an opera that gives glamorous title star Dmitri Hvorostovsky – considered by many to be the world’s greatest Verdi baritone – the chance to record what he calls “…one of the most complex, deepest characters in the whole baritone repertoire.”

Hvorostovsky goes on to say, in a special introduction he wrote for this album, that among his favorite scenes in the opera is the Council Chamber scene: “Simon’s address to the people, ‘Plebe! Patrizi! Popolo!’ is the creed of a great statesman. As he cries for peace and love, the whole crowd is swept along by the same surge of passion!”

Artists

Dmitri Hvorostovsky (Simon Boccanegra), Marco Caria (Paolo), Kostas Smoriginas (Pietro), Ildar Abdrazakov (Fiesco), Barbara Frittoli (Maria/Amelia), Stefano Secco (Gabriele Adorno), Eglė Šidlauskaitė (Ancilla), Kęstutis Alčauskis (Capitano)

Kaunas State Choir, Kaunas City Symphony Orchestra, Constantine Orbelian

Contents and tracklist

Preludio - Prologue: Che dicesti? (Paolo, Pietro, Chorus)
Track length6:59
Prologue: L'atra magion vedete? (Paolo, Pietro, Chorus)
Track length3:00
Prologue: A te l'estremo addio (Fiesco, Chorus)
Track length5:09
Prologue: Suona ogni labbro il mio nome (Simon, Fiesco)
Track length6:15
Prologue: Oh de' Fieschi implacata (Simon, Fiesco, Paolo, Pietro, Chorus)
Track length4:04
Act I: Preludio
Track length2:19
Act I: Come in quest'ora bruna (Amelia)
Track length3:43
Act I: Cielo di stelle orbato (A Voice / Gabriele, Amelia)
Track length2:38
Act I: Vieni a mirar la cerula marina tremolante (Amelia, Gabriele, Maid, Pietro)
Track length4:47
Act I: Propizio ei giunge! (Gabriele, Andrea)
Track length5:01
Act I: Signor (Paolo, Doge, Amelia)
Track length3:18
Act I: Orfanella il tetto umile (Amelia, Doge)
Track length5:36
Act I: Figlia! a tal nome io palpito (Doge / Simon, Amelia)
Track length3:09
Act I: Che rispose? (Doge, Paolo, Pietro)
Track length1:18
Act I: Messeri, il re di Tartaria vi porge (Doge, Paolo, Pietro, Gabriele, Chorus)
Track length7:31
Act I: Amelia! (Doge, Amelia, Chorus)
Track length0:56
Act I: Amelia, di' come tu fosti rapita (Amelia, Doge, Gabriele, Chorus)
Track length2:46
Act I: Plebe! Patrizi! Popolo dalla storia feroce (Doge)
Track length1:02
Act I: Piango su voi (Doge, Amelia, Pietro, Paolo, Fiesco, Gabriele, Chorus)
Track length4:05
Act I: Ecco la spada (Doge, Gabriele, Paolo)
Track length4:32
Act II: Quei due vedesti? (Pietro, Paolo)
Track length2:36
Act II: Prigioniero in qual loco m'adduci? (Fiesco, Paolo)
Track length1:36
Act II: Udisti? (Paolo, Garbiele)
Track length1:34
Act II: Sento avvampar nell'anima (Gabriele)
Track length1:47
Act II: Cielo pietoso, rendila (Gabriele)
Track length2:24
Act II: Tu qui? (Gabriele, Amelia)
Track length4:18
Act II: Figlia! (Doge, Amelia)
Track length5:06
Act II: Oh! Amelia ami un nemico! (Gabriele, Amelia, Doge)
Track length3:10
Act II: Perdon, Amelia (Gabriele, Amelia, Doge)
Track length3:19
Act II: All'armi, all'armi, O Liguri (Amelia, Gabriele, Doge, Chorus)
Track length1:26
Act III: Evviva il Doge! (Capitano, Fiesco, Paolo, Chorus)
Track length5:54
Act III: M'ardon le tempia (Doge, Fiesco)
Track length4:32
Act III: Come fantasima (Doge, Fiesco)
Track length1:55
Act III: Piango, perche mi parla (Fiesco, Doge)
Track length3:10
Act III: Chi veggo! (Doge, Maria, Gabriele, Fiesco)
Track length2:21
Act III: Gran Dio, li benedici (Doge, Maria, Gabriele, Fiesco, Chorus)
Track length6:20

Awards and reviews

August 2015

It is obvious [that Hvorostovsky] has thought deeply about Boccenegra and is absolutely inside the character; he is also able to realise his portrayal with an impressive largesse of tone...Abdrazakov offers immense dignity and presence as Boccanegra's implacable enemy, Fiesco...Frittoli can rely on her ample, flexible lyricism, though she's not always ideally secure at the top of her range.

August 2015

While Hvorostovsky's famous breath control is hugely welcome in Verdi's expansive vocal lines, one heas that virtue mostly in his upper range, always the best part of his voice...Stefano Secco is a clean lyric tenor who does the work of a much heavier voice...Frittoli remains afflicted with a wide vibrato in her upper range...Then again, she blends well with Secco...while not a first-choice recording, it's often an interesting one.

10th July 2015

The passages in which the velvety authority of Hvorostovsky’s baritone is properly captured are enough to make one wish that he had been surrounded with better support. Only the Fiesco of bass Ildar Abdrazakov, whose singing sometimes puts Hvorostovsky’s drier moments into unflattering relief, is convincingly in his league.
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