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Soli: Tamsin Waley-Cohen

Solo Works for Violin

Tamsin Waley-Cohen (violin)

The opening of the Bartok Sonata is powerful and arresting, and there's passion and musical imagination throughout, the fiendish multiple stops and alternations between bowed and plucked notes...

Soli: Tamsin Waley-Cohen

Solo Works for Violin

Tamsin Waley-Cohen (violin)

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This release includes a digital booklet

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The opening of the Bartok Sonata is powerful and arresting, and there's passion and musical imagination throughout, the fiendish multiple stops and alternations between bowed and plucked notes...

About

Tamsin Waley-Cohen, a violinist of "fearless intensity" (The Guardian), explores post-1944 solo repertoire, pushing the instrument to its limits. Bartók’s Solo Sonata, an ‘Everest’ of the violin repertoire, sits at the heart of this recording which also includes Penderecki’s 'Cadenza', and miniatures by Carter, György Kurtág and George Benjamin.

Contents and tracklist

I. Tempo di ciaccona
Track length14:11
This track is only available as an album download.
II. Fuga. Risoluto, non troppo vivo
Track length5:00
III. Melodia - Adagio
Track length8:35
IV. Presto
Track length6:09
I. A Lullaby for Lalit
Track length3:51
II. A Canon for Sally
Track length2:28
III. Lauer Lied
Track length3:16
I. Statement – Remembering Aaron
Track length4:08
III. Rhapsodic Musings (2000)
Track length3:36
I. In Nomine all’ungherese (Damjanich emlékko)
Track length5:45
II. Anziksz Kellerannanak (Postcard to Anna Keller)
Track length0:31
III. Hommage a John Cage
Track length1:52
IV. Thomas Blum in memoriam
Track length2:37
V. ...féerie d’automne...
Track length2:26
VI. Hommage a J.S.B.
Track length1:53

Awards and reviews

September 2015

The opening of the Bartok Sonata is powerful and arresting, and there's passion and musical imagination throughout, the fiendish multiple stops and alternations between bowed and plucked notes assured in tone and precise in intonation.

July 2015

The programme provides a fascinating survey of solo violin music of the last 25 years and her playing, often forceful and uncompromising...carries real conviction. The more delicate pieces, for instance the lovely Benjamin 'Lauer Lied', are just as persuasive.

24th May 2015

Seventy-seven minutes of unaccompanied violin, and strenuous modern repertory at that, may make this disc a daunting prospect, but Waley-Cohen’s devotion to her cause is palpable, and her interpretative flair likewise.

Classical Music June 2015

It’s brave for a young artist to settle on a seemingly hard-core programme of solo repertoire, but it’s a measure of Waley-Cohen’s commitment and energy (not to mention prodigious technique) that it succeeds utterly.
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