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Baroque Inspirations: Hideko Udagawa

Hideko Udagawa (violin)

Scottish Chamber Orchestra, Nicholas Kraemer

A former pupil of Nathan Milstein, Hideko Udagawa shares with her legendary teacher a propensity for revealing the violin’s natural soundworld by subtle coaxing rather than applied pressure....

Baroque Inspirations: Hideko Udagawa

Hideko Udagawa (violin)

Scottish Chamber Orchestra, Nicholas Kraemer

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
A former pupil of Nathan Milstein, Hideko Udagawa shares with her legendary teacher a propensity for revealing the violin’s natural soundworld by subtle coaxing rather than applied pressure....

About

Hideko Udagawa has performed extensively throughout the world and captivates international audiences with her artistry and enthusiasm. Critics have acclaimed her performances, commending her passionate commitment, dazzling agility and refinement of taste. As a protégée of Nathan Milstein, she has inherited the great Russian romantic tradition of violin playing. Her performances have spanned thirty countries across Europe, North America and Asia-Pacific, and more than one hundred cities and towns in the United Kingdom alone. In addition to live performances, Ms Udagawa has made a number of recordings which draw on her wide-ranging repertoire of over 40 concerti. She is particularly enthusiastic about discovering great unrecorded works.

Contents and tracklist

I. Allegro
Track length9:32
II. Adagio
Track length4:53
III. Rondo
Track length3:00
I. Allegro
Track length4:25
II. Andante doloroso
Track length3:40
III. Allegro assai
Track length3:00

Awards and reviews

June 2016

A former pupil of Nathan Milstein, Hideko Udagawa shares with her legendary teacher a propensity for revealing the violin’s natural soundworld by subtle coaxing rather than applied pressure. This gives her tone a ringing, espressivo directness reminiscent of the ‘golden age’ of Menuhin, Stern and Oistrakh…arguably finest [here] is Kreisler’s Vivaldi pastiche, which fits stylistically hand-in-glove with Udagawa’s ‘old world’ charm and poetic eloquence
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