Special offer. Arditti Quartet: Pandora's Box
Arditti Quartet
This outstanding disc of contemporary works, performed live by the Arditti Quartet, is one of blazing beauty and invention...[Pandora's Box] is at once operatic, darkly beautiful and surprisingly...
Special offer. Arditti Quartet: Pandora's Box
Arditti Quartet
Purchase product
This outstanding disc of contemporary works, performed live by the Arditti Quartet, is one of blazing beauty and invention...[Pandora's Box] is at once operatic, darkly beautiful and surprisingly...
About
“These four must be stopped…,” Paul Griffiths wrote more than twenty five years ago about the, even back then, widely praised Arditti Quartet, referring to these excellent musicians’ gift for making wonderful music irrespective of the quality of the actual composition. As regards the present album, though, we need not worry about this dilemma, given that each of the compositions by Rebecca Saunders, Benedict Mason, Luke Bedford and John Zorn is a little masterpiece in its own right. The Arditti Quartet has not only helped to shape our perception of contemporary music over the past forty years but, thanks to their accumulated experience, these four musicians also exemplify the future of this fascinating musical universe.
Contents and tracklist
Awards and reviews
Awards Issue 2015
This outstanding disc of contemporary works, performed live by the Arditti Quartet, is one of blazing beauty and invention...[Pandora's Box] is at once operatic, darkly beautiful and surprisingly frightening, and features an exceptional performance by Sarah Maria Sun.
18th January 2015
The Arditti Quartet brings together four diverse, cutting-edge works for string quartet. The longest and most venerable is Benedict Mason’s String Quartet No.2 from 1993, which plays out like a six-movement harlequinade of sounds and techniques.
29th January 2015
this typically diverse, typically exemplary Arditti recital brings four works that were all written for the quartet on to disc for the first time...Zorn adds a soprano...to the four strings to deliver the composer’s own German text, taking the music into an expressionist world that’s sometimes close to that of the Second Viennese School, but also much more threateningly Zorn’s own.
