Special offer. Haydn: Sonatas & Concertos
Anne-Marie McDermott (piano)
Odense Symphony Orchestra, Scott Yoo
McDermott relishes Haydn's fingery writing in this selection of sonatas and concertos, vividly inflecting phrases and taking an imaginative approach to ornaments and dynamics. She sprinkles...
Special offer. Haydn: Sonatas & Concertos
Anne-Marie McDermott (piano)
Odense Symphony Orchestra, Scott Yoo
Purchase product
McDermott relishes Haydn's fingery writing in this selection of sonatas and concertos, vividly inflecting phrases and taking an imaginative approach to ornaments and dynamics. She sprinkles...
About
This new recording of Haydn's two great piano concertos accompanies five of Haydn's finest piano sonatas, in brilliant performances by the American pianist Anne-Marie McDermott The G major Piano Concerto features cadenzas, composed specifically for this recording, by the leading American composer, Charles Wuorinen. Mr. Wuorinen writes: “I've long admired Anne-Marie McDermott's unsurpassed performances of Haydn. Her understanding of his music is superb and her playing of it so apt and expressive that I could not resist her invitation to provide cadenzas for one of Haydn's concerti. It was a joy to write them, and reproducing my own thoughts in the language of this ancient composer was exhilarating. It goes without saying that their realization in sound is exactly what I had intended.”
Contents and tracklist
Awards and reviews
April 2015
McDermott relishes Haydn's fingery writing in this selection of sonatas and concertos, vividly inflecting phrases and taking an imaginative approach to ornaments and dynamics. She sprinkles a healthy helping of paprika into the Hungarian episodes in the finale of the D major Concerto.
April 2015
McDermott's chosen tempos for most of the outer movements are fast…no matter: she has the fingers to match, and has no need to deviate from her strictness of tempo. However, the often ruminative slow movements on the sonatas are given with considerable intensity and beautifully sustained concentration, as if she is resolved to expose to the full the inherent pathos of Haydn's writing.