The intensely practical choral music of the young Latvian composer Ēriks Ešenvalds is steadily gaining appreciation across the world. The works on this new album owe their genesis to commissions from the United States, England and northern Europe and encompass ethereal expressions of uniquely arctic phenomena (listen for wine glasses turned—and tuned—to wondrously simple but devastating effect within the choral texture), American ballads and several works in the ‘Anglican tradition’, the fruits of the composer’s recent residency at Trinity College Cambridge.

Trinity College Choir Cambridge here returns the compliment, as it were, with superlative performances of these varied and engaging works, all recorded under the watchful eye of the composer and conductor Stephen Layton.

Artists

with Rachel Ambrose Evans (soprano), Hannah Partridge (soprano), with Michael Craddock (bass), with Sally Pryce (harp), with Jamie Roberts (tenor), with Hannah King (soprano), Jonathan Pacey (bass), Zane Šmite (jaw harp), with Anna Cavaliero (mezzo-soprano), with Helen Charlston (mezzo-soprano), Hiroshi Amako (tenor), Sally Pryce (harp)

Trinity College Choir Cambridge, Trinity Brass, Stephen Layton