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Matthew Curtis: Chamber Works Vol. 1

Marie Vassiliou (soprano), Gavin Sutherland (piano)

Matthew Curtis: Chamber Works Vol. 1
Curtis’s music has been categorised as belonging to the British light music tradition and the booklet quotes him as believing that “there remains a great longing for more accessible contemporary...

Gramophone Magazine, June 2007

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Matthew Curtis: Chamber Works Vol. 1

Marie Vassiliou (soprano), Gavin Sutherland (piano)

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Curtis’s music has been categorised as belonging to the British light music tradition and the booklet quotes him as believing that “there remains a great longing for more accessible contemporary...

Gramophone Magazine, June 2007

More reviews

About

Contents and tracklist

Curtis, M: First Fruits
Work length16:06
I. I Was a King In Babylon
Track length1:40
II. Above Wengen
Track length2:48
III. Laughter
Track length00:55
IV. Late Evening
Track length2:15
V. White Moons
Track length1:33
VI. Home Again
Track length1:47
VII. Tarn In the Hills
Track length1:41
VIII. Skeins of Life
Track length3:27
Curtis, M: Memories
Work length17:34
I. To JDM
Track length1:40
II. Sunset
Track length1:57
III. Turn Again Home
Track length1:42
IV. Lament
Track length1:55
V. Song
Track length1:20
VI. Once In a Blue Moon
Track length1:39
VII. Haunted
Track length4:51
VIII. Farewell
Track length2:30
Curtis, M: Little Pilgrimage
Work length14:39
I. Winter Sunshine
Track length2:51
II. February
Track length1:17
III. Seen At a Public Table
Track length1:04
IV. Marooned
Track length2:38
V. Conflagration
Track length1:10
VI. Spring
Track length1:37
VII. Distant Memory
Track length4:02
Curtis, M: Love of Living
Work length16:51
I. Love of Living
Track length2:35
II. Thaw
Track length2:55
III. Early Morning
Track length1:24
IV. Dear Enemy
Track length2:58
V. Country Walk
Track length1:26
VI. Autumn
Track length2:40
VII. The Departed
Track length2:53

Awards and reviews

June 2007

Curtis’s music has been categorised as belonging to the British light music tradition and the booklet quotes him as believing that “there remains a great longing for more accessible contemporary classical music among performers and audiences alike”. Hooray for that!
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