Special offer. Beethoven: Violin Concerto & Romances
Lorenzo Gatto (violin)
Orchestre de Chambre Pelléas, Benjamin Levy
Gatto is well equipped to play the Beethoven Concerto. His clear, ringing tone, coupled with an ability to play the exposed high passages with pure intonation, are joined to an expressive, unmannered...
Special offer. Beethoven: Violin Concerto & Romances
Lorenzo Gatto (violin)
Orchestre de Chambre Pelléas, Benjamin Levy
Purchase product
Gatto is well equipped to play the Beethoven Concerto. His clear, ringing tone, coupled with an ability to play the exposed high passages with pure intonation, are joined to an expressive, unmannered...
About
Lorenzo Gatto, a creative artist and an exceptional violinist (winner of several major international competitions), could have concentrated exclusively on his career as a soloist, but he has always been interested in exploring other, more experimental paths, as he does with Trilogy, formed with two violinist friends, a trio that goes beyond the bounds of classical music.
This recording of Beethoven’s Violin Concerto and Romances represents as it were a return to his roots. It also bears witness to his fruitful encounter with the Orchestre de Chambre Pelléas and its conductor, Benjamin Levy, and to their common desire to bring out the essence and the modernity of these masterpieces.
Contents and tracklist
- Orchestre de chambre Pélléas, Benjamin Levy
- Recorded: 22-25 February 2014
- Recording Venue: IRCAM, France
- Lorenzo Gatto, Orchestre de chambre Pélléas, Benjamin Levy
- Recorded: 22-25 February 2014
- Recording Venue: IRCAM, France
- Lorenzo Gatto, Orchestre de chambre Pélléas, Benjamin Levy
- Recorded: 22-25 February 2014
- Recording Venue: IRCAM, France
- Lorenzo Gatto, Orchestre de chambre Pélléas, Benjamin Levy
- Recorded: 22-25 February 2014
- Recording Venue: IRCAM, France
Awards and reviews
March 2015
Gatto is well equipped to play the Beethoven Concerto. His clear, ringing tone, coupled with an ability to play the exposed high passages with pure intonation, are joined to an expressive, unmannered style that can transmit the works grandeur and nobility...it's well worth hearing Gatto's strong, communicative performances.