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Szymanowski: Symphonies Nos. 1 & 3

Ben Johnson (tenor)

BBC Symphony Orchestra, BBC Symphony Chorus, Edward Gardner

Szymanowski: Symphonies Nos. 1 & 3
The BBC Symphony Chorus sings with languid exaltation, yet it is the orchestral detail that impresses most here, right from the still, mystery-laden opening...Gardner conducts with such conviction...

Szymanowski: Symphonies Nos. 1 & 3

Ben Johnson (tenor)

BBC Symphony Orchestra, BBC Symphony Chorus, Edward Gardner

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The BBC Symphony Chorus sings with languid exaltation, yet it is the orchestral detail that impresses most here, right from the still, mystery-laden opening...Gardner conducts with such conviction...

About

Edward Gardner returns with the BBC Symphony Orchestra to the intoxicating orchestral music of Karol Szymanowski in their third disc devoted to the composer. Their previous releases have been widely praised, Gardner being described in BBC Music Magazine as ‘one of the finest non-Polish interpreters of Szymanowski.’ Ben Johnson, a tenor whose star is rapidly rising, joins Gardner and the BBC SO here as a soloist in two works.

Szymanowski’s Symphony No. 1 was composed in 1907 while he was still in his twenties. Stylistically it belongs to his early period, heavily influenced by the late-Romantic style of Wagner and Strauss. It was disavowed later in life as Szymanowski rejected his early influences but its brash youthful energy and intense emotion has won many audiences over.

The exquisite Love Songs of Hafiz for tenor soloist and orchestra are transitional works. Composed in 1911, they represent a move toward his middle period marked by a fascination with oriental themes, here reflected in the choice to set 14th Century Persian poetry.

Szymanowski’s Symphony No. 3 ‘Song of the Night’ is considered the apex of his middle-period output and one of his finest works. Scored for a huge orchestra with choir and tenor soloist, Szymanowski again sets Persian poetry, here celebrating the beauty of the starlight Eastern night. Szymanowski conveys the poem’s vision with sensuous and highly emotional music, scored in extraordinarily subtle orchestral colour.

Contents and tracklist

I. Moderato assai
Track length8:27
II. Allegretto tranquillo
Track length7:08
III. Largo
Track length10:35
I. Wünsche
Track length1:31
II. Der verliebte Ostwind
Track length1:49
III. Tanz
Track length1:48
IV. Die Perlen meiner Seele
Track length1:40
V. Jugend im Alter
Track length2:47
VI. Deine Stimme
Track length2:50
VII. Trinklied
Track length2:35
VIII. Das Grab des Hafis
Track length6:13
I. Allegro moderato
Track length10:04
III. Finale. Allegretto con moto
Track length8:51

Awards and reviews

February 2015

The BBC Symphony Chorus sings with languid exaltation, yet it is the orchestral detail that impresses most here, right from the still, mystery-laden opening...Gardner conducts with such conviction that it is impossible not to find beauty in [Love Songs'] potentially dense Reger-meets-Scriabin soundworld.

December 2014

performances are particularly cosmopolitan. And why not? The works here reflect influences from many nationalities...Johnson, whose relatively lean voice (in contrast with the Eastern European sopranos sometimes heard in this piece) is very much responsive to the text's meaning.

30th November 2014

Johnson is a fine soloist [in the Songs of Hafiz], while Gardner’s forces are ecstatic in these near-masterpieces; they also make a decent case for the disowned post-romantic First Symphony.

24th November 2014

That magical moment where the solo tenor voice (Ben Johnson) floats in at the start of part 3 is exquisitely judged, heralding delicate images of nature and surging climaxes in which Gardner whips up the BBC chorus and orchestra into waves of elated passion.
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