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Schumann: Scenes from Goethe's Faust, WoO 3

Christiane Karg (soprano), Mari Eriksmoen (soprano), Bernarda Fink (mezzo), Andrew Staples (tenor), Christian Gerhaher (baritone), Alastair Miles (bass), Tareq Nazmi (bass), Kurt Rydl (bass)

Chor & Symphonieorchester des Bayerischen Rundfunks, Daniel Harding

Schumann: Scenes from Goethe's Faust, WoO 3

Awards:

[Harding] shapes some elegant playing and clear choral textures, and there's some fine solo singing, notably from Christiane Karg, Bernarda Fink and Andrew Staples.

Schumann: Scenes from Goethe's Faust, WoO 3

Christiane Karg (soprano), Mari Eriksmoen (soprano), Bernarda Fink (mezzo), Andrew Staples (tenor), Christian Gerhaher (baritone), Alastair Miles (bass), Tareq Nazmi (bass), Kurt Rydl (bass)

Chor & Symphonieorchester des Bayerischen Rundfunks, Daniel Harding

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Awards:

[Harding] shapes some elegant playing and clear choral textures, and there's some fine solo singing, notably from Christiane Karg, Bernarda Fink and Andrew Staples.

About

Ever since his debut in 2005 with Berg's "Wozzeck" (concertante) with the Symphonieorchester des Bayerischen Rundfunks, Daniel Harding has regularly attracted public attention with spectacular concerts. With the "Faust Scenes" by Robert Schumann – Daniel Harding's first recording on the BR-KLASSIK label – the conductor presents us with a work that until now had long been on the fringes of the repertoire, Schumann having primarily attracted attention as a composer of lieder, piano works and chamber music. The exceptional baritone Christian Gerhaher succeeds, perhaps more than any others, in credibly and forcefully conveying the sheer diversity of expression in Goethe's literature here, and makes full use of his expertise as a profound lieder performer. He is joined by Christiane Karg as Gretchen, together with further internationally renowned soloists, the Chamber Choir of Augsburg Cathedral Boys' Choir, and the Bavarian Radio Choir.

Contents and tracklist

Ouvertüre
Track length8:30
Szene im Garten
Track length4:59
Gretchen vor dem Bild der Mater Dolorosa
Track length4:42
Sonnenaufgang. Die ihr dies Haupt umschwebt im luft'gen Kreise
Track length7:13
Sonnenaufgang. Thäler grünen, Hügel schwellen
Track length4:11
Sonnenaufgang. Des Lebens Pulse schlagen frisch lebendig
Track length4:04
Sonnenaufgang. So ist es also, wenn ein sehnend Hoffen
Track length3:56
Mitternacht. Ich heiße der Mangel
Track length2:07
Mitternacht. Vier sah ich kommen, drei nur gehn
Track length8:41
Mitternacht. Die Nacht scheint tiefer tief hereinzudringen
Track length2:37
Fausts Verklärung. Waldung, sie schwankt heran
Track length3:28
Fausts Verklärung. Ewiger Wonnebrand
Track length1:41
Fausts Verklärung. Wie Felsenabgrund mir zu Füßen
Track length2:41
Fausts Verklärung. Welch ein Morgenwölkchen schwebet
Track length2:57
Fausts Verklärung. Gerettet ist das edle Glied (1)
Track length6:21
Fausts Verklärung. Gerettet ist das edle Glied (2)
Track length3:46
Fausts Verklärung. Hier ist die Aussicht frei
Track length4:36
Fausts Verklärung. Dir, der Unberührbaren
Track length7:57
Fausts Verklärung. Alles Vergängliche ist nur ein Gleichnis
Track length9:30

Awards and reviews

  • Gramophone Magazine
    December 2014
    Disc of the Month

Christmas 2014

[Harding] shapes some elegant playing and clear choral textures, and there's some fine solo singing, notably from Christiane Karg, Bernarda Fink and Andrew Staples.

18th October 2014

Some great baritones have recorded this little-performed work, but Christian Gerhaher is the equal of any, an inspiration in his fusion of poetry and music.

9th November 2014

Harding scores with his casting: Christian Gerhaher’s Faust is incomparable, while Christiane Karg’s radiant Gretchen is the finest on disc. Alastair Miles is a formidable Mephisto and the smaller parts are excellently taken by Andrew Staples and Bernarda Fink. A record of the year, no doubt.

15th October 2014

[Gerhaher brings] his matchless sensitivity to verbal meaning and colour to vocal writing, while Christiane Karg is the touching Marguerite...Harding’s handling of the whole span of the score is also deeply impressive. The detail is telling but never overdone, the build up to the glorious peroration paced very expertly.
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