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Goetz: Complete Piano Works

Christof Keymer (piano)

Goetz: Complete Piano Works
These piano pieces date from the very late 1850s to the mid-1870s. They’re predominantly unaffected, unpretentious character pieces. The Genrebilder, Op.13 offers six delightful, very brief...

Goetz: Complete Piano Works

Christof Keymer (piano)

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These piano pieces date from the very late 1850s to the mid-1870s. They’re predominantly unaffected, unpretentious character pieces. The Genrebilder, Op.13 offers six delightful, very brief...

About

Today, Goetz numbers among the overlooked composers of the nineteenth century, and in this respect, this new recording of his previously unpublished complete works for piano does him posthumous justice. The pianist Christof Keymer is the editor of this edition published by Amadeus-Verlag.

Contents and tracklist

No. 1, Andantino espressivo
Track length1:57
No. 2, Allegro scherzando
Track length2:28
No. 3, Larghetto
Track length2:57
No. 4, Presto
Track length2:03
No. 5, Allegro impetuoso
Track length2:32
No. 6, Larghetto
Track length3:01
I. Allegro moderato
Track length5:14
II. Andante con moto
Track length3:02
III. Allegretto grazioso
Track length4:01
I. Allegro con brio
Track length4:19
II. Andantino
Track length3:16
III. Rondo. Allegro scherzando
Track length2:17
No. 4, Es ist bestimmt in Gottes Rath
Track length2:49
Introduction
Track length2:10
No. 1, Durch Feld und Buchenhallen
Track length2:39
No. 2, Frisch in die Welt hinaus
Track length3:35
No. 3, Einsamkeit
Track length5:00
No. 4, Liebesscherze
Track length3:52
No. 5, Bei dir!
Track length3:30
No. 6, Ihr flüchtigen Winde, wohin, wohin?
Track length3:09
No. 7, Heimatklang
Track length6:36
No. 8, Frühlingsgruß
Track length2:18
No. 9, Auf Wiedersehn
Track length2:27

Awards and reviews

February 2015

These piano pieces date from the very late 1850s to the mid-1870s. They’re predominantly unaffected, unpretentious character pieces. The Genrebilder, Op.13 offers six delightful, very brief studies predicated strongly on Schumannesque lines – lyric, sensitive, and seemingly falling quite well under the fingers…the second of the set, with its genuinely good-natured finale really should be better known. Let’s hope Keymer’s expert performance will stimulate someone to take some interest.
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