Special offer. Charles Dieupart: Les Suites
Corina Marti (recorder), Yizhar Karshon (harpsichord), Tore Eketorp (treble viol), Soma Salat-Zakarias (viola da gamba) & Ziv Braha (theorbo)
The most fascinating element of their performance is the enchanting sound of the French quinton (a five-string fretted instrument with sloping shoulders...The quinton blends particularly well...
Special offer. Charles Dieupart: Les Suites
Corina Marti (recorder), Yizhar Karshon (harpsichord), Tore Eketorp (treble viol), Soma Salat-Zakarias (viola da gamba) & Ziv Braha (theorbo)
Purchase product
The most fascinating element of their performance is the enchanting sound of the French quinton (a five-string fretted instrument with sloping shoulders...The quinton blends particularly well...
About
Baroque trio sonatas and solo harpsichord music by Charles Dieupart (1667-1740).
This new CD by Corina Marti and her ensemble is an intoxicating and vividly played first recording of the music of Charles Dieupart, in the form of the trio sonata with recorder and treble viol. The international ensemble explores this largely unknown late French repertoire in its very distinct style.
The Israeli harpsichordist Yizhar Karshon plays one of the 'six suites' by Dieupart (no.6) in its original edition as a solo suite for harpsichord.
Contents and tracklist
- Corina Marti (soloist), Yizhar Karshon (soloist), Tore Eketorp (soloist), Soma Salat-Zakariás (soloist), Ziv Braha (soloist)
- Yizhar Karshon (soloist)
- Corina Marti (soloist), Yizhar Karshon (soloist), Tore Eketorp (soloist), Soma Salat-Zakariás (soloist), Ziv Braha (soloist)
- Corina Marti (soloist), Yizhar Karshon (soloist), Tore Eketorp (soloist), Soma Salat-Zakariás (soloist), Ziv Braha (soloist)
- Corina Marti (soloist), Yizhar Karshon (soloist), Tore Eketorp (soloist), Soma Salat-Zakariás (soloist), Ziv Braha (soloist)
Awards and reviews
November 2014
The most fascinating element of their performance is the enchanting sound of the French quinton (a five-string fretted instrument with sloping shoulders...The quinton blends particularly well with the timbres of the treble and alto recorders...The degree of experimentation within movements and suites is the only issue in question.