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Tchaikovsky: The Nutcracker, Op. 71

Bergen Philharmonic Orchestra, Neeme Järvi

Tchaikovsky: The Nutcracker, Op. 71
A magnificently realistic recorded performance which features an orchestra whose playing seems to go from strength to strength...this is a thoroughly engaging performance which will delight...

Tchaikovsky: The Nutcracker, Op. 71

Bergen Philharmonic Orchestra, Neeme Järvi

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A magnificently realistic recorded performance which features an orchestra whose playing seems to go from strength to strength...this is a thoroughly engaging performance which will delight...

About

This is the concluding recording in Neeme Järvi’s series with the Bergen Philharmonic Orchestra devoted to Tchaikovsky’s three great ballets. This complete, uncut version of The Nutcracker follows The Sleeping Beauty (CHSA5113(2)) and Swan Lake (CHSA5124(2)), both of which have been much awarded.

The Nutcracker draws its influences from both Hoffmann’s and Dumas’s tales of the same name, and makes delightful use of ‘le joli’, i.e. ‘the pretty’, in music – vivacious themes decked out in ingenious orchestration – already mastered by Léo Delibes in Coppélia.

The Nutcracker relates the dreams of Clara Silberhaus on Christmas Eve, aroused by the nutcracker which her mysterious godfather has given her. Then the guests’ lulling and languishing waltzes take her on a fantastic journey from a mystical snowy forest to the princely kingdom of Confiturembourg. Tchaikovsky illustrates this journey with various musical themes, such as confectionary, flowers, and Mirlitons, as well as Spanish, Arabic, Chinese, and Russian dances.

Commissioned by the director of the Imperial Theatres, Ivan Vsevolozhsky, and originally choreographed by Marius Petipa and Lev Ivanov, The Nutcracker was premiered at the Mariinsky Theatre in St Petersburg in 1892. It came in a doublebill with the opera Iolanta, also commissioned by Vsevolozhsky. For this recording, Neeme Järvi and the Bergen Philharmonic Orchestra have re-explored Tchaikovsky’s masterpiece together, in order to offer a completely new experience of one of the most-performed ballets in musical history.

Contents and tracklist

Ouverture
Track length2:59
Scène (Allegro non troppo - Poco più sostenuto)
Track length3:33
Marche (Tempo di Marcia viva)
Track length2:16
Petit galop des enfants et entrée des parents (Presto - Andante - Allegro)
Track length2:38
Scène dansante (Andantino - Stringendo - Allegro vivo)
Track length5:41
Scène et danse du gross-vater (Andante)
Track length6:28
Scène (Allegro semplice - Moderato con moto - Allegro giusto)
Track length6:47
Scène (Allegro vivo - Pochissimo più mosso - La bataille - La second bataille)
Track length3:23
Scène (Andante)
Track length3:18
Valse des flocons de neige (Tempo di valse, ma con moto - Presto - Poco meno)
Track length6:27
Scène (Andante)
Track length4:28
Scène (Andante con moto - Un poco animando)
Track length4:45
I. Le chocolat (Allegro brillante - Più mosso)
Track length1:09
II. Le café (Commodo)
Track length3:15
III. Le thé (Allegro moderato)
Track length1:02
IV. Trépak (Tempo di Trepak, molto vivace - Stringendo - Prestissimo)
Track length1:06
V. Les mirlitons (Moderato assai)
Track length2:13
VI. La Mère Gigogne et les polichinelles (Allegro giocoso - Allegro vivo - Poco più)
Track length2:39
XIII. Valse des fleurs (Tempo di Valse)
Track length6:44
Pas de Deux. Andante maestoso - Poco stringendo - Poco più mosso - Incalzando
Track length4:31
Variation 1, Pour le danseur (Tempo di Tarantella)
Track length0:44
Variation 2, Pour la danseuse (Danse de la fée-dragée) [Andante non troppo]
Track length2:05
Coda (Vivace assai)
Track length1:24
Valse finale et apothéose (Tempo di vlase - Molto meo - L'Apothéose)
Track length4:47

Awards and reviews

January 2015

A magnificently realistic recorded performance which features an orchestra whose playing seems to go from strength to strength...this is a thoroughly engaging performance which will delight those who have collected the earlier releases in this Bergen/Tchaikovsky ballet series.

4th January 2015

His tempi are nifty, not-for-dancing leg-breakers, but he captures the delicacy, transparency and sheer magic of this miraculous score...wonderfully woozy string glissandi are sprinkled with celesta stardust as the Nutcracker Prince and Clara wend their way to Confiturembourg

13th November 2014

while Järvi admirably manages to avoid the sense of scramble that has previously characterised similar efforts, this is still way too fast for comfort. His conducting is characterful throughout, and particularly effective in the second half of act one, when the fairytale atmosphere turns scary. The Bergen Philharmonic’s playing, meanwhile, is both virtuosic and impeccably detailed.

Classical Music

a zestful Nutcracker...While posing few problems for his virtuoso players, the listener is left with head spinning.
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