Mozart: String Quartets Nos. 14, 16 & 19
String Quartets dedicated to Joseph Haydn
Cuarteto Casals
Awards:
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Gramophone Magazine, Awards Issue 2014, Editor's Choice
the period players of Cuarteto Casals reveal an intimate uderstanding of the special qualities of Mozart's quartet style...virtually every phrase is brought to life and coloured by some variations...
Mozart: String Quartets Nos. 14, 16 & 19
String Quartets dedicated to Joseph Haydn
Cuarteto Casals
Purchase product
Awards:
-
Gramophone Magazine, Awards Issue 2014, Editor's Choice
the period players of Cuarteto Casals reveal an intimate uderstanding of the special qualities of Mozart's quartet style...virtually every phrase is brought to life and coloured by some variations...
About
When he dedicated a set of six quartets to Haydn in 1785, Mozart was acknowledging the latter's supremacy in this genre. However, Mozart did more than just imitate him; he integrated Haydn's innovations into his own style, thereby producing a new milestone of Viennese Classicism. The three quartets played here by Cuarteto Casals are among Mozart's finest and are truly masterpieces of the genre.
Contents and tracklist
Awards and reviews
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Gramophone MagazineAwards Issue 2014Editor's Choice
November 2014
the period players of Cuarteto Casals reveal an intimate uderstanding of the special qualities of Mozart's quartet style...virtually every phrase is brought to life and coloured by some variations of bow pressure or speed, or vibrato...The recorded sound is fine-grained and vibrant.
12th September 2014
They fit three of the “Haydn” quartets (including the “Dissonance”) on to this single disc, thanks to generous playing-time and skipping some repeats, and the performances are strong-willed, bold in contrasts, almost Beethovenian in their mettlesome thrust.
Awards Issue 2014
Cuarteto Casals shatter a glass ceiling of historic inhibitions and camouflage nothing. Enshrined herein is a rare order of musicianship.
4th September 2014
They launch into every movement with tremendous relish, on such a tide of rich, deep string tone that they could be playing Brahms or Dvořák, and it comes with equally full-blooded, expressive inflections. It is very involving to begin with, as such musical generosity draws you into the performance – welcomes you almost. But after a while it all seems a bit too obvious and generalised.
November 2014
This triptych of Mozart performances is of the highest calibre, captured by a close recording whose revealing detail exposes no weakness among the players.