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Julius Röntgen: Chamber Music, Volume One

Music for Violin and Piano I

Atsuko Sahara (violin) & John Lenehan (piano)

Röntgen's melodic fecundity is heard in the Brahmsian E major Sonata and the Grieg-inspired Aus Jotunheim, whereas darker resonances infuse the later Sonata trilogica.

Julius Röntgen: Chamber Music, Volume One

Music for Violin and Piano I

Atsuko Sahara (violin) & John Lenehan (piano)

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Röntgen's melodic fecundity is heard in the Brahmsian E major Sonata and the Grieg-inspired Aus Jotunheim, whereas darker resonances infuse the later Sonata trilogica.

About

The German-Dutch composer Julius Röntgen (1855–1932) composed an astonishing number of works: 25 symphonies, 17 concerti, 32 string quartets, 16 string trios, 14 piano trios, many sonatas for his five string-player sons, as well as works in almost every other genre. This vast output has at last begun to emerge from obscurity, with a number of recordings testifying to his astonishing craftsmanship and exquisite sense of melody, balancing skill and spontaneity.

The works recorded here confirm his extraordinary ability to write one gorgeous tune after another. All these works are receiving their first recordings here; Aus Jotunheim, based on Norwegian folktunes and composed as a present for Grieg and his wife, was first written for violin and piano and that version gets a first recording here, too.

Atsuko Sahara, who has been playing the violin since the age of four, studied in Tokyo and Vienna. She has given recitals at the Newport Music Festival in the USA and the Lake District Summer Music festival in England as well as in India, Japan, Kazakhstan and Scotland. She is a member of the Ensemble of Tokyo and Geidai Philharmonia. John Lenehan has appeared as soloist with leading orchestras at home and abroad and has made more than 60 CDs. He is also active as a composer and has written and arranged for Angelika Kirchschlager, Kennedy, Julian Lloyd Webber, Tasmin Little and Emma Johnson.

Contents and tracklist

I. Allegro non troppo e cantabile
Track length6:38
II. Allegro ben moderato
Track length3:04
III. Lento
Track length6:36
IV. Finale. Allegro molto
Track length4:48
I. Adagio quasi improvisando
Track length3:12
II. Allegro scherzando
Track length1:18
III. Lento
Track length1:59
IV. Allegro energico
Track length3:48
IV. Adagio
Track length0:49
I. Lento, ma un poco andante (Version for Violin and Piano)
Track length4:41
II. Vivo ed energico (Version for Violin and Piano)
Track length3:26
III. Andante con moto (Version for Violin and Piano)
Track length2:45
IV. Allegro giocoso (Version for Violin and Piano)
Track length3:33
V. Lento, con gran expressione (Version for Violin and Piano)
Track length7:49
I. Moderato
Track length5:09
II. Allegro con fuoco
Track length5:52
III. Moderato
Track length7:37

Awards and reviews

October 2014

Röntgen's melodic fecundity is heard in the Brahmsian E major Sonata and the Grieg-inspired Aus Jotunheim, whereas darker resonances infuse the later Sonata trilogica.

Awards Issue 2014

Most attractive of all is the folk suite Aus Jotunheim...Sahara plays it, the G minor Romanze (1920) and the sonatas very prettily, one or two minor issues with intonation aside, superbly accompanied by John Lenehan.

13th October 2014

The well-recorded performances from Atsuko Sahara and John Lenehan are good, though maybe greater variegation of tone colour from the violinist could have enlivened the music still more. Nevertheless these are most attractive pieces, sensitively played.
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