Miserere mei Deus
Music for Passiontide around 1500, Works by Isaac, Josquin Deprez & Ycart
ensemble officium, Wilfried Rombach
[ensemble officium] sing with a warm tone, unfussy but neat articulation and impeccable intonation … these are compelling and revelatory performances of largely unfamiliar material.
Miserere mei Deus
Music for Passiontide around 1500, Works by Isaac, Josquin Deprez & Ycart
ensemble officium, Wilfried Rombach
Purchase product
[ensemble officium] sing with a warm tone, unfussy but neat articulation and impeccable intonation … these are compelling and revelatory performances of largely unfamiliar material.
About
Leonardo da Vinci, Heinrich Isaac and Josquin des Prez were contemporaries. Leonardo's reknown amongst his contemporaries was based as much on his musical abilities as those in any other field and he is known to have been familiar with the compositions of Josquin and Isaac. While Josquin was to continue to be hailed as the Michelangelo of music for centuries after his death before succumbing to the same lapse into obscurity as Isaac, prosperity has been kinder to Leonardo. Perhaps if Leonardo's 'Treatise on Music', referred to in his writings but lost, had survived maybe the revival of the reputations of his musical contemporaries might have happened sooner, for this was an age in which music flourished as much as painting. The polyphonic complexity of music reached a zenith in this age that has never since been equalled.
Heinrich Isaac's 'Choralis Constantinus' is one of the greats of Renaissance polyphony: The small segment included on this disk is enough to make one crave a boxed set of the whole. The motet 'Miserere mei Deus' by Josquin des Prez is one of his most expressive, and the 'Lamentationes' by the nearly unknown composer Bernhard Ycart demonstrates once again that we've probably lost more splendid music than we've saved.
Contents and tracklist
Lectio I-III
Introitus
Responsorium Graduale
Alleluia, Sequenz
Offertorium
Communio
Prima Pars
Secunda Pars
Tertia Pars
Awards and reviews
Early Music Review October 2014
[ensemble officium] sing with a warm tone, unfussy but neat articulation and impeccable intonation … these are compelling and revelatory performances of largely unfamiliar material.
October 2014
The mixed-voice Ensemble Officium give persuasive performances: nicely balanced, well tuned and above all keeping the music moving...This is an eloquent performance [of the Josquin Miserere], full of colour and giving life to music that is hard to do because it can easily seem to overstay its welcome.