Tim Hodgkinson: Onsets
Hyperion Ensemble
His ideas about composition are so eloquent and persuasive that you fear the music itself can't possibly live up to the billing but the first sound you hear...resonates easily with such statements...
Tim Hodgkinson: Onsets
Hyperion Ensemble
Purchase product
His ideas about composition are so eloquent and persuasive that you fear the music itself can't possibly live up to the billing but the first sound you hear...resonates easily with such statements...
About
This is Mode’s second release from Tim Hodgkinson, a founding member of the politically and musically radical group Henry Cow. A skilled improviser and performer, the works on this CD for chamber ensembles reflect Hodgkinson’s 'composed' music side, while still providing room for improvisation and experimentation. The performers are leading European and American improvisers and improvising new music ensembles. Liner notes by Tim Hodgkinson. Born in 1949, a graduate in social anthropology at Cambridge, co-founder of the politically and musically radical group Henry Cow in 1968, Tim Hodgkinson has followed a restless and critical creative path. To composition he brings a long and unique experience in improv and ethnomusicology. He has published articles on such subjects as musique concrète and on the aesthetic problems arising from the impact of new technology on contemporary music making.
Contents and tracklist
- Talea Ensemble, Hyperion Ensemble, Bergersen Quartet
- Tim Hodgkinson
- Tim Hodgkinson (bass clarinet), Ioanmarius Lacraru (viola), Cornelia Petroiu (viola), Theodor Iancu (cello), Andrei Kivu (cello), Ion Ghiță (double bass), Ciprian Ghiţă (double bass)
- Hyperion Ensemble
- Tim Hodgkinson
- Ne(x)tworks
- Tim Hodgkinson
- Tim Hodgkinson (clarinet), Alexander Lipowski (percussion), Gustavo Aguilar (percussion), Petru Teodorescu (percussion)
- Hyperion Ensemble, Talea Ensemble
Awards and reviews
October 2014
His ideas about composition are so eloquent and persuasive that you fear the music itself can't possibly live up to the billing but the first sound you hear...resonates easily with such statements as 'I want listeners' assumptions to go wrong because this is what awakens listening'.
May 2014
a collection of demanding but rewarding chamber-plus-electronics pieces.