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Special offer. Complete Crumb Edition, Vol. 16

Ann Crumb (soprano), Patrick Mason (baritone), Marcantonio Barone (piano)

Orchestra 2001, James Freeman

Complete Crumb Edition, Vol. 16
In several songs there's a lot of noodling on pentatonic themes, spiced occasionally by a touch of Bartók-style bitonality or percussive chords à la Stravinsky.

Special offer. Complete Crumb Edition, Vol. 16

Ann Crumb (soprano), Patrick Mason (baritone), Marcantonio Barone (piano)

Orchestra 2001, James Freeman

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
In several songs there's a lot of noodling on pentatonic themes, spiced occasionally by a touch of Bartók-style bitonality or percussive chords à la Stravinsky.

About

This important recording features the premiere recording of the final instalment of George Crumb's monumental American Songbook series. Songbook 7, titled Voices from the Heartland, includes songs both humorous and tragic, and concludes with the largest song setting of the cycle, the native American 'Song of the Earth'. As in previous works in this cycle, Crumb employs a percussion “orchestra” of more than 100 instruments, creating a rich tapestry of beguiling sounds.

Also included is the premiere recording of Sun and Shadow, Crumb's new cycle on poems of Lorca.

Contents and tracklist

No. 1, Lazy River
Track length3:53
No. 2, The Fly
Track length2:29
No. 3, The Interrupted Concert
Track length3:10
No. 4, Dance of the Moon in Santiago
Track length2:33
No. 5, Farewell
Track length3:23
No. 1, Softly and Tenderly
Track length8:28
No. 2, Ghost Dance
Track length3:30
No. 3, Lord, Let Me Fly!
Track length2:16
No. 4, The Kanawha River at Dusk (An Appalachian Nocturne)
Track length3:19
No. 5, Glory Be to the New-Born King (A Christmas Spiritual)
Track length3:19
No. 6, The War of the Sexes
Track length2:29
No. 7, Beulah Land
Track length6:00
No. 8, Old Blue
Track length3:55
No. 9, Song of the Earth
Track length13:12

Awards and reviews

August 2014

In several songs there's a lot of noodling on pentatonic themes, spiced occasionally by a touch of Bartók-style bitonality or percussive chords à la Stravinsky.

1st May 2014

Crumb carefully preserves the integrity of the original melodic lines, while enclosing them in his familiar sound world of exotic effects and arcane instruments...Accompanied by amplified piano, it's an unassuming, bland set of soprano settings – slight, but touchingly honest.
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