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Earth’s Call

Songs for Soprano & Piano by John Ireland

April Fredrick (soprano) & Mark Bebbington (piano)

Earth’s Call
The young American soprano, April Fredrick, is secure enough technically; I just wish, at times, she would have invested more expression in her singing...Mark Bebbington continues to impress...

Earth’s Call

Songs for Soprano & Piano by John Ireland

April Fredrick (soprano) & Mark Bebbington (piano)

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The young American soprano, April Fredrick, is secure enough technically; I just wish, at times, she would have invested more expression in her singing...Mark Bebbington continues to impress...

About

The Songs of John Ireland form an important part of his output and are highly regarded by professional singers, who appreciate the lyrical contours of his melodies, the sensitivity of his word settings and the wide variety of moods they encompass. As a first-rate pianist himself and the composer of a large body of strikingly individual works for piano solo, including a popular concerto for the instrument (SOMM242), Ireland’s accompaniments to his songs are highly effective counterparts to the vocal lines.

Most previous recordings of Irelands’s songs have featured male voices – tenor and baritone – but this new collection contains several first recordings by a soprano. It also features a world première recording: Variations sur ‘Cadet Rousselle’, (sung in French), which Ireland wrote in 1918 in collaboration with three composer friends – Arnold Bax, Frank Bridge and Eugene Goossens – as a tribute to the music critic Edwin Evans, a staunch champion of both French and British music.

Apart from the beauty of her voice, American Soprano April Fredrick’s most outstanding characteristic is her passion for nuance and text which gets to the heart of both music and character. She was semifinalist in the 2009 Kathleen Ferrier Awards and the Wigmore Hall International Song Competition as well as appearing on BBC Radio 4’s ‘Robert Winston’s Musical Analysis: Ivor Gurney’ and being named Young Outstanding Musician of the Year at the 2010 Brighton Early Music Festival.

Mark Bebbington has been acknowledged in recent years as one of the most distinguished pianists of his generation. His enthusiastic championship of British music is second to none, and his four volumes of John Ireland’s complete piano music on SOMM have received widespread acclaim.

Contents and tracklist

No. 1, Newborn
Track length1:21
No. 2, The Only Child
Track length1:41
No. 3, Hope
Track length0:47
No. 4, Skylark and Nightingale
Track length0:56
No. 5, The Blind Boy
Track length1:11
No. 6, Baby
Track length1:05
No. 7, Death-Parting
Track length1:10
No. 8, The Garland
Track length1:12
No. 1, The Trellis
Track length2:49
No. 2, My True Love Hath My Heart
Track length1:44
No. 1, Love and Friendship
Track length1:54
No. 2, Friendship in Misfortune
Track length2:07
No. 3, The One Hope
Track length4:20
No. 1, Tryst (In Fountain Court)
Track length3:53
No. 2, During Music
Track length2:30
No. 1, The Advent
Track length3:34
No. 2, Hymn for a Child
Track length1:48
No. 3, My Fair
Track length3:10
No. 4, The Salley Gardens
Track length2:00
No. 5, The Soldier's Return
Track length1:04
No. 6, The Scapegoat
Track length1:22
No. 1, Summer Schemes
Track length2:07
No. 2, Her Song
Track length2:48
No. 3, Weathers
Track length1:57

Awards and reviews

2nd June 2014

The young American soprano, April Fredrick, is secure enough technically; I just wish, at times, she would have invested more expression in her singing...Mark Bebbington continues to impress with his nicely shaded and nuanced accompaniments...An enjoyable collection that will be welcomed by all admirers of John Ireland.
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