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Smith, J C: The Seasons

Emma Kirkby (soprano), Tim Mead (countertenor) & Hans Jörg Mammel (tenor)

Musica Franconia Festival Choir & La Banda, Wolfgang Riedelbauch

Smith, J C: The Seasons
Kirkby radiates joy, gliding easily in and out of lines entwined with solo instruments. Countertenor Tim Mead equals Kirkby's ease and spiritedness...Sadly, the choir is weak and too large for...

Smith, J C: The Seasons

Emma Kirkby (soprano), Tim Mead (countertenor) & Hans Jörg Mammel (tenor)

Musica Franconia Festival Choir & La Banda, Wolfgang Riedelbauch

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320 kbps, MP3

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
Kirkby radiates joy, gliding easily in and out of lines entwined with solo instruments. Countertenor Tim Mead equals Kirkby's ease and spiritedness...Sadly, the choir is weak and too large for...

About

60 years before Joseph Haydn, the German composer John Christopher Smith wrote an oratorio about the seasons, also based on the epic poem 'The Seasons' by the Scottish poet James Thomson. Smith was born in 1712 in Ansbach as Johann Christoph Schmidt and emigrated with his parents to London, for his father worked as a manager and copyist for George Frederic Handel. Young Smith received his first instruction from the master personally and later became Handel's closest working associate. He helped Handel with his composing and, when his mentor became blind, he directed performances of his oratorios. Smith himself was also a recognised composer who was "highly appreciated by many of the 'first heads' in the Kingdom", as the English music scholar Charles Burney reported. His oratorio about the seasons is an imaginative tone painting in a style which extends beyond the baroque, already introducing elements of the Empfindsamer Stil (Sensitive Style). In particular, Smith's colourful representations of nature – ranging from birdsong and the undulations of the forest to icy winter storms – are successfully realised. They show that he was far more than just Handel's assistant.

Contents and tracklist

Sinfonia
Track length2:53
Sinfonia. Larghetto
Track length3:00
"The seasons, as they change..." (Chorus)
Track length3:41
The Spring, Sinfonia
Track length3:55
The Spring, Recitative. "Forth in the pleasing Spring..." (Soprano)
Track length0:13
The Spring, Air. "Wide glow the fields..." (Soprano)
Track length4:02
Summer, Pastorale
Track length1:29
Summer, Recitative. "Then comes Thy glory..." (Tenor)
Track length0:23
Summer, Air. "And oft Thy voice..." (Tenor, Chorus)
Track length5:17
Autumn, Sinfonia
Track length1:39
Autumn, Recitative. "A yellow floating pomp..." (Alto)
Track length0:12
Autumn, Air. "Thrown from Thy lap..." (Alto)
Track length4:49
Autumn, Air. "In Winter dreadful Thou..." (Bass)
Track length1:42
Autumn, Air. "On the whirlwinds' wing..." (Bass)
Track length2:38
Autumn, Air. "Mysterious sound!..." (Chorus)
Track length3:40
"Nature, attend..." (Chorus)
Track length3:31
Air. "To Him, ye gales..." (Soprano)
Track length3:19
"Oh talk of Him in solitary glooms..." (Chorus)
Track length2:01
Accompagnato. "And ye, whose bolder note..." (Tenor)
Track length0:49
Air. "His praise, ye brooks, attune..." (Soprano)
Track length2:25
Trio. "Ye headlong torrents..."
Track length2:02
"Ye headlong torrents..." (Chorus)
Track length1:24
Recitative. "Roll up your incense..." (Bass)
Track length0:25
Air. "Ye Forests bend..." (Bass)
Track length3:57
Recitative. "Ye That keep watch in heaven..." (Alto)
Track length0:19
Air. "Ye That keep watch in heaven..." (Alto)
Track length7:55
Accompagnato. "Great source of day..." (Soprano)
Track length0:27
Duetto. "The thunder rolls..." (Soprano, Alto)
Track length5:05
Recitative. "Bleat out afresh..." (Tenor, Bass)
Track length0:41
Air. "For the Great Shepherd reigns..." (Tenor)
Track length5:02
Accompagnato. "Ye woodlands all, awake..." (Soprano)
Track length0:57
Air. "Sweetest of birds..." (Soprano)
Track length8:49
Recitative. "Ye chief..." (Tenor)
Track length0:18
"Crown the great hymn..." (Chorus)
Track length4:03

Awards and reviews

May 2014

Kirkby radiates joy, gliding easily in and out of lines entwined with solo instruments. Countertenor Tim Mead equals Kirkby's ease and spiritedness...Sadly, the choir is weak and too large for this work...Despite its flaws this disc is a jewel, giving us a glimpse of Smith's prodigious gifts, and of Britain's musical legacy beyond Handel.

June 2014

Smith's music makes for very pleasant listening. Most of the features that you would expect are there: fugal choruses, hunting horns, violin and cello solos, melismas on 'rage' and 'roar'...['Sweetest of birds'] is exquisitely sung by the ageless Emma Kirkby who, with the pure-toned Tim Mead, is the star of the set.

30th June 2014

[Kirkby] sings with all the character and purity we expect from her. The orchestra, on period instruments, play with great spirit and finesse. The choir is less satisfactory, at least as recorded here.
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