Smith, J C: The Seasons
Emma Kirkby (soprano), Tim Mead (countertenor) & Hans Jörg Mammel (tenor)
Musica Franconia Festival Choir & La Banda, Wolfgang Riedelbauch
Kirkby radiates joy, gliding easily in and out of lines entwined with solo instruments. Countertenor Tim Mead equals Kirkby's ease and spiritedness...Sadly, the choir is weak and too large for...
Smith, J C: The Seasons
Emma Kirkby (soprano), Tim Mead (countertenor) & Hans Jörg Mammel (tenor)
Musica Franconia Festival Choir & La Banda, Wolfgang Riedelbauch
Purchase product
Kirkby radiates joy, gliding easily in and out of lines entwined with solo instruments. Countertenor Tim Mead equals Kirkby's ease and spiritedness...Sadly, the choir is weak and too large for...
About
60 years before Joseph Haydn, the German composer John Christopher Smith wrote an oratorio about the seasons, also based on the epic poem 'The Seasons' by the Scottish poet James Thomson. Smith was born in 1712 in Ansbach as Johann Christoph Schmidt and emigrated with his parents to London, for his father worked as a manager and copyist for George Frederic Handel. Young Smith received his first instruction from the master personally and later became Handel's closest working associate. He helped Handel with his composing and, when his mentor became blind, he directed performances of his oratorios. Smith himself was also a recognised composer who was "highly appreciated by many of the 'first heads' in the Kingdom", as the English music scholar Charles Burney reported. His oratorio about the seasons is an imaginative tone painting in a style which extends beyond the baroque, already introducing elements of the Empfindsamer Stil (Sensitive Style). In particular, Smith's colourful representations of nature – ranging from birdsong and the undulations of the forest to icy winter storms – are successfully realised. They show that he was far more than just Handel's assistant.
Contents and tracklist
- Emma Kirkby, Hans Jörg Mammel, Tim Mead, Markus Simon
- La Banda, Musica Franconia Festival Choir
- Wolfgang Riedelbauch
Awards and reviews
May 2014
Kirkby radiates joy, gliding easily in and out of lines entwined with solo instruments. Countertenor Tim Mead equals Kirkby's ease and spiritedness...Sadly, the choir is weak and too large for this work...Despite its flaws this disc is a jewel, giving us a glimpse of Smith's prodigious gifts, and of Britain's musical legacy beyond Handel.
June 2014
Smith's music makes for very pleasant listening. Most of the features that you would expect are there: fugal choruses, hunting horns, violin and cello solos, melismas on 'rage' and 'roar'...['Sweetest of birds'] is exquisitely sung by the ageless Emma Kirkby who, with the pure-toned Tim Mead, is the star of the set.
30th June 2014
[Kirkby] sings with all the character and purity we expect from her. The orchestra, on period instruments, play with great spirit and finesse. The choir is less satisfactory, at least as recorded here.