Special offer. Bach, Schübler and Leipzig Chorales
Kare Nordstoga (organ)
This instrument has a gorgeously gentle tone, the antithesis of French pungency and a sound which pleasantly emphasises the lyrical qualities of Bach’s Chorale Preludes, though I can imagine...
Special offer. Bach, Schübler and Leipzig Chorales
Kare Nordstoga (organ)
Purchase product
This instrument has a gorgeously gentle tone, the antithesis of French pungency and a sound which pleasantly emphasises the lyrical qualities of Bach’s Chorale Preludes, though I can imagine...
About
Bach on the Silbermann cathedral organ in Arlesheim, Switzerland, performed by Oslo Cathedral organist Kåre Nordstoga.
The second and third discs in the series featuring Bach’s complete organ works were recorded in Arlesheim Cathedral. The organ was originally built by Andreas Silbermann, brother of the more famous organ builder, Gottfried Silbermann. The cathedral’s acoustics are superb, and although the organ has been rebuilt over the years, it still has the unique warmth and clarity of sound that was the hallmark of the baroque masters. On the first of the two CDs we find all of Bach’s transcriptions for organ. Three of them are Bach’s arrangements of violin concertos by Antonio Vivaldi, and the two others were originally written by Prince Johann Ernst of Saxe-Weimar. He died at age twenty-one and is perhaps best remembered by music historians because Bach, while he was organist at the ducal court in Weimar, transcribed the compositions for organ and cembalo.
Contents and tracklist
- Kåre Nordstoga
- Kåre Nordstoga
- Kåre Nordstoga
- Kåre Nordstoga
- Kåre Nordstoga
- Kåre Nordstoga
- Kåre Nordstoga
- Kåre Nordstoga
- Kåre Nordstoga
- Kåre Nordstoga
- Kåre Nordstoga
- Kåre Nordstoga
- Kåre Nordstoga
- Kåre Nordstoga
- Kåre Nordstoga
Awards and reviews
29th July 2014
This instrument has a gorgeously gentle tone, the antithesis of French pungency and a sound which pleasantly emphasises the lyrical qualities of Bach’s Chorale Preludes, though I can imagine some listeners preferring more contrast between registers, or just more dynamics in general...The results are by no means unpleasant, and if you are looking for total-immersion Bach then this might be the ideal place.