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Beethoven: Diabelli Variations, Op. 120

Vladimir Feltsman (piano)

Beethoven: Diabelli Variations, Op. 120
I found his playing involving and engaged. One aspect of his playing that caught my ear early on was the strength of his left hand. I can imagine that some listeners might even find some of...

Beethoven: Diabelli Variations, Op. 120

Vladimir Feltsman (piano)

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This release includes a digital booklet

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I found his playing involving and engaged. One aspect of his playing that caught my ear early on was the strength of his left hand. I can imagine that some listeners might even find some of...

About

Anton Diabelli, a Viennese publisher and composer of popular music for amateurs, published Beethoven's Thirty-Three Variations on a Waltz for Pianoforte in 1823. A year later he republished the set as Part I of a two-volume collection, Part II of which comprised 50 variations on the same “Given Theme”, each written by a different “prominent composer”. Among those

who contributed were Hummel, Czerny, Kalkbrenner, Moscheles, Schubert, Archduke Rudolf and the 11-year-old Liszt. The “Given Theme” was a waltz, “Ein Deutsche” written by Diabelli himself. Even judged by the highest standards of Beethoven’s output the Diabelli holds a very special place among his works. It is an opus magnum that summarizes not only Beethoven’s own experiments as a composer but those of the whole German musical tradition to which he considered himself a rightful heir.

Pianist and conductor Vladimir Feltsman is one of the most versatile and constantly interesting musicians of our time. His vast repertoire encompasses music from the Baroque to 20th-century composers. A regular guest soloist with leading symphony orchestras in the United States and abroad, he appears in the most prestigious concert series and music festivals all over the world.

Contents and tracklist

Tema: Vivace
Track length0:56
Variation 1: Alla Marcis maestoso
Track length1:33
Variation 2: Poco Allegro
Track length0:44
Variation 3: L'istesso tempo
Track length1:24
Variation 4: Un poco più vivace
Track length1:08
Variation 5: Allegro vivace
Track length0:56
Variation 6: Allegro ma non troppo e serioso
Track length1:47
Variation 7: Un poco più allegro
Track length1:06
Variation 8: Poco vivace
Track length1:29
Variation 9: Allegro pesante e risoluto
Track length2:05
Variation 10: Presto
Track length0:43
Variation 11: Allegretto
Track length1:09
Variation 12: Un poco più moto
Track length0:52
Variation 13: Vivace
Track length1:05
Variation 14: Grave e maestoso
Track length4:09
Variation 15: Presto Scherzando
Track length0:40
Variation 16: Allegro
Track length1:02
Variation 17: Allegro
Track length1:02
Variation 18: Poco moderato
Track length1:36
Variation 19: Presto
Track length1:02
Variation 20: Andante
Track length1:50
Variation 21: Allegro con brio - Meno allegro - Tempo primo
Track length1:24
Variation 22: Allegro molto, alla 'Notte e giorno faticar' di Mozart
Track length1:00
Variation 23: Allegro assai
Track length0:59
Variation 24: Fughetta (Andante)
Track length2:19
Variation 25: Allegro
Track length0:49
Variation 26: (Piacevole)
Track length1:03
Variation 27: Vivace
Track length1:04
Variation 28: Allegro
Track length1:06
Variation 29: Adagio ma non troppo
Track length1:31
Variation 30: Andante, sempre cantabile
Track length2:12
Variation 31: Largo, molto espressivo
Track length5:24
Variation 32: Fuga: Allegro
Track length3:49
Variation 33: Tempo di Menuetto moderato
Track length3:59

Awards and reviews

3rd March 2014

I found his playing involving and engaged. One aspect of his playing that caught my ear early on was the strength of his left hand. I can imagine that some listeners might even find some of the variations a little too bass-heavy though I liked the firmness and definition that Feltsman brings to the bass line
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