Paganini Fantasy
Nemanja Radulović (violin)
Les Trilles du Diable, Orchestre Symphonique de la Raï, Eiji Oue
Awards:
-
Gramophone Magazine, May 2014, Editor's Choice
Not since Menuhin has Paganini's First Concerto sounded so musically compelling, with Nemaja Raudlovic making even the virtuoso-in-meltdown Moses Fantasy sound like minted gold.
Paganini Fantasy
Nemanja Radulović (violin)
Les Trilles du Diable, Orchestre Symphonique de la Raï, Eiji Oue
Purchase product
Awards:
-
Gramophone Magazine, May 2014, Editor's Choice
Not since Menuhin has Paganini's First Concerto sounded so musically compelling, with Nemaja Raudlovic making even the virtuoso-in-meltdown Moses Fantasy sound like minted gold.
About
Nemanja Radulović’s latest release on the Deutsche Grammophon label is one devoted to Paganini. His aim is to change the composer’s image and show that he was not only one of virtuosity, for although Paganini owes his reputation to his unequalled instrumental technique, Nemanja Radulović also sees in the music a composer who enables violinists to feel closer to the human voice. The programme on this CD was selected by Nemanja Radulović, clearly showing his profound understanding of this unique composer.
Contents and tracklist
- Nemanja Radulović (violin)
- Recorded: 2013-05-10
- Recording Venue: Paris, Salle Colonne 94
- Nemanja Radulović (violin)
- Orchestra Sinfonica Nazionale della RAI
- Eiji Oue
- Recorded: 2013-05-10
- Recording Venue: Paris, Salle Colonne 94
- Nemanja Radulović (violin)
- Recorded: 2013-05-10
- Recording Venue: Paris, Salle Colonne 94
- Nemanja Radulović (violin)
- Recorded: 2013-05-10
- Recording Venue: Paris, Salle Colonne 94
- Nemanja Radulović (violin)
- Recorded: 2013-05-10
- Recording Venue: Paris, Salle Colonne 94
- Nemanja Radulović (violin)
- Recorded: 2013-05-10
- Recording Venue: Paris, Salle Colonne 94
- Nemanja Radulović (violin)
- Recorded: 2013-05-10
- Recording Venue: Paris, Salle Colonne 94
Awards and reviews
-
Gramophone MagazineMay 2014Editor's Choice
May 2014
Not since Menuhin has Paganini's First Concerto sounded so musically compelling, with Nemaja Raudlovic making even the virtuoso-in-meltdown Moses Fantasy sound like minted gold.
May 2014
Radulovic's commanding technique makes child's play of Paganini's myriad technical challenges, matched by a beguiling tone, expressive vocal phrasing and perfect intonation...This is an exceptional disc by any standards and hard to better as an introduction to Paganini's genius.
