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Arensky: Piano Trios

Leonore Piano Trio: Tim Horton (piano), Benjamin Nabarro (violin) & Gemma Rosefield (cello)

Arensky: Piano Trios
here is music for all those who weary of grappling with the complexities of contemporary works to rejoice in an all-Russian fountain of melodic charm...The Leonores play with truly glorious...

Arensky: Piano Trios

Leonore Piano Trio: Tim Horton (piano), Benjamin Nabarro (violin) & Gemma Rosefield (cello)

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This release includes a digital booklet

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here is music for all those who weary of grappling with the complexities of contemporary works to rejoice in an all-Russian fountain of melodic charm...The Leonores play with truly glorious...

About

Arensky’s Piano Trios represent a fine example of the Russian romantic piano trio, a form ‘invented’ by Tchaikovsky, Arensky’s close friend and influence.

Piano Trio No 1 is the more popular of the two, dedicated to the cellist Karl Davidoff. Davidoff is regarded as the founder of the Russian school of cello-playing, and Arensky’s dedication accounts for the fact that the cello plays such a prominent role, having most of the principal themes and often seeming to eclipse the violin in importance. Piano Trio No 2 is one composer’s last works, and marks a considerable advance in Arensky’s compositional techniques.

Hyperion is delighted to present the Leonore Piano Trio (Tim Horton, Benjamin Nabarro and Gemma Rosefield, who features as soloist on Hyperion’s Romantic Cello Concerto series Volume 3: Stanford Cello Concertos) in its debut recording.

Contents and tracklist

I. Allegro moderato
Track length14:05
II. Scherzo: Allegro molto
Track length6:31
III. Elegia: Adagio
Track length6:59
IV. Finale: Allegro non troppo
Track length6:47
I. Allegro moderato
Track length9:25
II. Romance: Andante
Track length6:22
III. Scherzo: Presto
Track length6:24
IV. Tema con variazioni: Allegro non troppo
Track length10:03

Spotlight on this release

Awards and reviews

April 2014

here is music for all those who weary of grappling with the complexities of contemporary works to rejoice in an all-Russian fountain of melodic charm...The Leonores play with truly glorious affection and security, and it is hard to imagine playing of a greater empathy.
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