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Petrassi: Piano Concerto & Flute Concerto

Bruno Canino (piano), Mario Ancillotti (flute)

Orchestra Sinfonica di Roma, Francesco La Vecchia

This fine package enables convenient investigation of attractive works by a 20th-century Italian composer gaining in reputation.

Petrassi: Piano Concerto & Flute Concerto

Bruno Canino (piano), Mario Ancillotti (flute)

Orchestra Sinfonica di Roma, Francesco La Vecchia

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit
This fine package enables convenient investigation of attractive works by a 20th-century Italian composer gaining in reputation.

About

Petrassi’s long creative life was marked by ceaseless absorption of ideas and by constant invention. His Flute Concerto is notable for its boldness of design and the surprise of its unorthodox sound world, where instruments rotate in block form. The Piano Concerto is more overtly virtuosic, even showing some influence from Prokofiev. The orchestral suite drawn from the ballet La follia di Orlando (The Madness of Orlando) is often clothed in Petrassi’s experimental orchestral sonorities. ‘The rehabilitation of Italian twentieth-century music by the Naxos label continues unabated: the latest release is this remarkable collection... that any genuine Petrassian will rush to purchase’. (International Record Review on 8572411)

Contents and tracklist

I. Non molto mosso, ma energico
Track length12:01
II. Arietta con variazioni. Molto adagio e tranquillo
Track length13:02
III. Rondo. Andantino mosso - Allegro agitato
Track length7:03
Introduzione. Allegro sostenuto - Quadro I: Danza di Angelica. Andantino grazioso, con fantasia
Track length5:14
Quadro II, Angelica e Medoro. Andante sereno
Track length7:16
Quadro III, Danza di Astolfo. Presto, volante e leggero
Track length3:49
Quadro I, Danza guerriera. Molto sostenuto
Track length3:23

Awards and reviews

April 2014

This fine package enables convenient investigation of attractive works by a 20th-century Italian composer gaining in reputation.

May 2014

The best place to start...is with the most immediately accessible music on this disc, the 1945 Suite from La follia di Orlando...La Vecchia and his Roman players give a committed and idiomatic account, pleasingly detailed and rhythmically incisive, and highly skilled, too, in some of the more bizarre-sounding episodes.
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